Fountain of Youth

Post » Fri Jan 28, 2011 4:10 am

Forgive me for being so late back!!!

I upgraded (hah!) to Windows Vista 64 bit and it ate ALL my old settings, passwords and I don't know what else...I am still recovering the files I made before!

But worry not, more episodes are coming sooon, very soon.

However - your comments on the story? I plan to introduce quite a lot of twists and turns, and I am gratified so far to see that very experienced readers, like Beniamus Revas have appreciated it. But the rest of you, constant readers, give your comments, please!
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Eliza Potter
 
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Post » Fri Jan 28, 2011 5:36 am

I am still reading if that counts :) I can't really nitpick with anything so mostly I didn't say anything at all, but it's so far a great read and I'm enjoying it alot. So, basically, keep up the good work and keep writing! :foodndrink:
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Averielle Garcia
 
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Post » Fri Jan 28, 2011 5:49 am

Ah! "No comments because none needed!" eh...?

What balm to a writer's soul...

Very well! More coming soon!!!
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Vera Maslar
 
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Post » Thu Jan 27, 2011 5:56 pm

Stop procrastinating. My coffee hour suffers without you. :stare:
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Marnesia Steele
 
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Post » Fri Jan 28, 2011 12:35 am

Mummy! I'm trying to post more! But Vista 64 ate my homework....AND my Fallout 3 as well....

Still it's a good thing I had backup. But getting backup back up takes time...have patience...

xxx from your internet son...
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jessica breen
 
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Post » Thu Jan 27, 2011 10:15 pm

8. The Sleeping Beauty.

She is there, and completely beautiful. Just as I have remembered her. As my eyes had seen her only two days before in the Law Chambers of King Silath?but now she is lying still, as if asleep. Or even dead. But my pounding heart knows that cannot be true, because had not my detect life spell detected her living body just now?

Trembling, I reach out to touch her, my mind ablaze with a wild kaleidoscope of shifting emotions. I dare not trust the evidence of my sense, and my mind is a riot of speculation. How did she get here? Who had placed her here? Is my mind seeing things ? I suddenly withdraw my hand, and pull out one of my unique and special items I have crafted myself. It seemed to be a simple crystal ball, yet touching it with both the front and back of my ring in quick succession, I call up a 'reveal enchantment' spell that can show if my mind is being influenced by an illusion spell, or not.

There is no glow in the crystal- that I am seeing the truth. And not any other enchantment than my own heart's.

She is alive, then...real...

I look again at the beautiful face, and suddenly the thought comes to my mind - a vampire? Resting in the day, shunning the light? But no. I have seen her in daylight, moving, mocking in the sunlight. The play of sunlight and shadow on her hair, the tinkle of her voice coming across the still air of summer. Impossible. And yet, here she is...

Venera? How could she be here? And why is she lying still, in a deep, deep sleep, inside the box?

But first things first. I must find a way to hide her, until I can discover more. I suddenly remember the chamber we had uncovered yesterday during another period of intense magical activity that had rendered my Sentients useless.

Yes, Morkwin doesn't know about that chamber. It has a bed and some other furniture, and there's a strong wood and iron door ? I can seal it with a lockspell and visit her tonight to revive and interrogate her. But I better move fast, before this interference abates, or one of the workers comes along to see if I've been killed or knocked unconscious?

Decision made, I scoop up Venera's body in my arms, and move as fast as I can towards the cave chamber. Even as my mind is concentrating on speed, a part of my mind still wonders and fiercely rejoices in the feel of her in my arms, close to my briast and trembling heart.

Inside, I deposit her on the bed, with its furs and bedding still surprisingly in fine condition despite having been sealed for so long, and check her vital signs again. Yes, she's still alive. Breathing very, very slowly, and with only the faintest of pulses, but still alive. To keep her still sleeping until I returned, I light a brazier with shadowsleep herbs on a slow-burning fire. I know I have to leave now, but I cannot stop myself from looking at her for one last time before I go back and pretend to work.

As I gaze I slowly get the feeling that something is not quite right?but I cannot quite put my finger on it. Her clothes are rich ? in fact, they are much more elegant and elaborate than any of the clothes I have seen her wear before. She is wearing jewels, too, and they are again much more expensive than the simple but elegant jewellery that I have seen her wear. But it is not that which makes me a vague sense of unease about her.

Venera sleeping is still a figure of outstanding beauty, but somehow she does not quite ? this time ? have the heartstopping and mind-freezing beauty which paralyzed me every time I looked at her before. But perhaps this is because she is asleep, and not her usual vivacious, sensual self. I shake my head angrily. I don't have time for philosophical introspection now ? I need to get back to work before I am missed. One swift look around the room, and I select the artifacts I'll need to sacrifice for this deception. Sealing the door, I get back to the box, and re-arrange the artifacts in it just before the impatient workers come back.

The whole day passes in a blur, with me working automatically while more than half my mind is still there in the chambers. The workers are supervised, inspected, praised or scolded or rewarded or punished as the case warrants.

Being used to the routine, I do it automatically. My face is the mask which I have spent half my life building.

My mind, however wanders.

Why is Venera here?

She has been there in the box for two full days. Could she have been damaged during that time? I must take one bottle of every type of healing potion I know, just in case, when I see her tonight.

But how did she get past both the patrol ships, the coast guard, and the guards on the worksite itself? And the box I found her in. It was sealed under tons of earth and stone. How did she get into that box? Is there such a thing as a spell of underearth travel, and could she have swum through the earth like a swimmer swims through the water? I have never heard of such a spell. Besides, why use it, and then sleep in a coffin?

And again and again I come back to the question. Why is she here? Why was she sleeping in that box or casket? And what is the function of that box?casket?coffin, anyway? Could she be?no. I won't even think of it.

Yet think of it I must. A vampire? But no, many a time I and others have seen her in the full light of day, not just for a brief moment but for hours at a stretch. Besides I have seen her once at a banquet merrily eating and drinking, and vampires cannot consume anything but blood.

What else can there be? Is this tied to the 'Valleron Pearls"? Could she be actually an old, ugly witch, and is she recharging her youth while sleeping in the casket? But I checked and double-checked the box, and there was no other magic other than the one I detected. And her jewels are rich, but ordinary jewels. No "Valleron Pearls". No enchanted necklaces, rings, or clothes.

But then again, I ask myself, do I really know everything? There may be magic beyond, far beyond, that which I have studied.

I must be patient. I must not show anything out of the ordinary to either the workers or Morkwin, through these stones. I must control my mind and face and body. I must.

The day seems intolerably long, but eventually even long days must have an end. After dinner I make arrangements with the foreman for the next day's work, go through my paperwork, and prepare for sleep. Ah, yes?sleep?

In spite of my preoccupation with Venera, I still smile to myself as I move to my bed. For a month now I had been doing this as my bedtime ritual, and it still tickled me that Morkwin had not thought of this.

With my back to the bed, I began a telekinetic spell. Using the telekinetic effect, I transported my fully-dressed cloth mannequin which was hidden under my bed, onto the bed itself. I kept my back to the bed all the while, so that Morkwin and his Sentients would not see what I was doing ? if he viewed me at this time he would merely see me staring at the wall. With the mannequin on the bed, I could now finish the deception . Using my blockstone I switched off Morkwin's Sentients, while at the same time turning on the duplicate Sentients I had stitched into the mannequin.

And now Morkwin will see only a sleeping man in bed, while I go to interview Venera. My long hours of study into Sentient Stones have paid off! I have made blockstones that will totally shut off his Stones, but will not interfere with my own ones. This leaves at least two hours a day to work in total freedom from surveillance!

I move swiftly to Venera's sealed room, but not so swiftly that I forget my precautions. Move slowly but steadily in the tunnel. My detect life spell knows that there is no one, except me and Venera, within a hundred foot radius. Eyes on the ground first, the walls, and a quick glance at the roof before I move, then three steps, then repeat. I have to watch out for any hidden mechanical traps that just might have been left behind by the workmen, and which are undetectable by magic as they use none. I have to watch out as well for the normal debris that excavation throws up in staggering amounts. In a way, though, that was very good. It camouflaged the sealed room pretty much ? to the casual inspector, there was no room, just a mountain of rubble.
I pull away some rocks, and the door is there.

Inside, the room is lit only by the soft light of a glowstone. The light flatters Venera's softly sleeping form ? she looks softer, and heartachingly vulnerable. Shadows accentuate the curve of her cheeks, the angle of her hips in bed. The glow of magical light finds its match in the glow of her skin.

For a long, long spell I look at her.

And myself, too. What do I feel?

I slowly smile, for no matter how I try it is useless - I am still hopelessly in love.

No time for that! I must wake her, and find out...

I move to snuff out the shadowsleep burner, but then I pause. My heart suddenly explodes with anticipation over the thought that has just come to me.

This chance will never come again?and I love her so?

I shouldn't. In fact, I must not. There are a thousand reasons why. But I will do it anyway. I will surrender to the madness. I love her.

I bend over her sleeping form. Trembling, I dare to kiss my unobtainable dream, my heart's hopeless desire?

Her lips are cold, but my kiss brings them warmth. For a long minute I hold her, my eyes closed, and dream. This is the heaven I never dreamed of, being lived in a dream that will end when she wakes....

Finally I step back. And as I do, something amazing happens.

Venera should not be awake before I douse the shadowsleep burner, but amazingly her eyes blink open. She stares at the room, and then she sees me.

For one long, grave moment she regards me, her head slightly cocked to one side. I am paralyzed. She still looks at me. And then, like the sun coming out from behind a cloud, she smiles. My heart races and once again in her presence I am speechless. She waits for me to speak, and when I do not, she rises off the bed. One hand gently moves up to rearrange her hair. Her eyes hypnotize me: I cannot move.

Her lips open in both smile and speech.

"Hello. My name is Visleith Valleron. And you are??"

And I am struck dumb. Twice over.
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Syaza Ramali
 
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Post » Fri Jan 28, 2011 12:55 am

*Jaw drops*

I had NOT expected that! Poor Daryen! Aaah! What is going on!

More! More chapters!

*clears throat* And with a more serious tone this time...

Lovely lovely lovely chapter. Do keep them coming! :)
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Eve(G)
 
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Post » Thu Jan 27, 2011 9:42 pm

Oh my goodness, this is an amazing story, i think the best i have ever read, Right On!
keep em' coming! the characters are amazing, the chapters long, but also good! i wish i can write a story like yours! im working on one, a Mythic Dawn fan-fic, starts off in the Arius Caverns and so on.....

my dad always said this to me over the phone, "never give up on something that interest's you"
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R.I.p MOmmy
 
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Post » Fri Jan 28, 2011 2:38 am

Serenity, I am so glad that I have amazed you. Adam, ditto!!

Adam, looking at your profile I see you spend a humongous amount of time on the fanfic site. That makes praise from you all the more sweet!

"The chapters long" When I started this story I intended it to fit in the novella range, which is commonly accepted as 40,000 words. I am going to make it..but only just, I think. I have written 23540 already. About half of that is what you see in this thread - I have more chapters in reserve, but as i like to have at least three chapters in reserve and am continually refining and rewriting the chapters, I will be posting about 3-4 chapters a week.

Mummy! I made your coffee hour! Give me a comment!

Pat, Beniamus, Redsrock, and many others, my thanks. You are my constant readers.
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Jenna Fields
 
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Post » Fri Jan 28, 2011 4:49 am

EDIT: Oooh, I get it now. Right, sorry I was just momentarily confused by something. Nevermind :embarrass:

:thumbsup: Helluva good story. One of the best things I've read/am reading here in a long time. I love your descriptions of the characters emotions, not to mention the characters themselves. Everyone is just really unique. Keep 'em coming!
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Bee Baby
 
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Post » Fri Jan 28, 2011 1:35 am

Pat I'd give a lot to know what you edited out!!

:D
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Keeley Stevens
 
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Post » Thu Jan 27, 2011 10:43 pm

Wow, this is a good story. Just finished reading the entire thing. I like it so far, but I'm having the same problem as Serenity. I keep on pcturing him as a dunmer, but oh well. Keep up the nice work :)
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Anna S
 
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Post » Thu Jan 27, 2011 5:36 pm

Thank you for posting, Old Sparta! "If your sword is too short, take one step closer to the enemy.."

I just had an idea. If any of you has more drawing talent than me (and since I can't draw for love or money. that will probably include 85% of you) why not try drawing Daryen, Morkwin, and Venera?
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Laura Richards
 
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Post » Thu Jan 27, 2011 3:57 pm

Ah, it was nothing. Just a little mix-up of names really :embarrass:

Anyway, I could give it a go definitely. I'm not the best drawer around but I'm not the worst. If they turn out to be bad, I know this awesome artist that does TES work on deviantart, If I gave her the story she'd probably be excited to give it a whirl :)
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Wayne W
 
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Post » Thu Jan 27, 2011 3:13 pm

See you are still at it Devious Foxy :D

You might want to change 24/7 to something more period
Morkwin, Morkwin, you thought you could watch me 24/7,


... and the reason people are thinking Dunmer is that word 'Sera' which is all specific to the people of Morrowind and has a lot of charm ... but since this is now set in the Imperial Province that might comfortably change unless you are ambivalent about Daryen's upbringing? Similarly other characters might have lived in Morrowind and use the word, but for the 'Hero' and other relevant 1st person characters I believe you have to decide race clearly unless you have a purpose for retaining this aspect of the original form of your story. After all he could easily be a Dunmer who moved to the Imperial Province to study, for example. Might be worth deciding that more clearly and revising as necessary - nothing wrong with a burning-eyed admirer, is there?

The Breton character is said to be mainly a mixture of Mediaevil Anglo/French and Mer - if you want to be sure there is Lore on the original inhabitants to be found at TIL. In any case that is why they have that exceptional affinity to magic and in the PGE a very romantic gypsy look to their features.

Be interesting to see where you take this one. :hubbahubba:
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*Chloe*
 
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Post » Thu Jan 27, 2011 9:04 pm

Excellent critique...

I knew I would 'come a cropper' sooner or later.

Ah well. I shall see what I can do!

But THANKS again 1999...er...wait...do I know you from somewhere?
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Amy Masters
 
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Post » Fri Jan 28, 2011 6:55 am

Yes, my coffee yesterday was grand. Missed being here Friday. Sunday morn....ummm, well maybe Mondays aren't so bad afterall.

:goodjob:
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David Chambers
 
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Post » Thu Jan 27, 2011 5:10 pm

Yes, my coffee yesterday was grand. Missed being here Friday. Sunday morn....ummm, well maybe Mondays aren't so bad afterall.

:goodjob:

:unsure:
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Krystal Wilson
 
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Post » Fri Jan 28, 2011 3:13 am

Subtle bumping? :P
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Astargoth Rockin' Design
 
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Post » Thu Jan 27, 2011 4:48 pm

More subtle bumping...


We are waiting Foxy. Get with the goods! :P
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Dagan Wilkin
 
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Post » Thu Jan 27, 2011 4:38 pm

Excellent critique...

I knew I would 'come a cropper' sooner or later.

Ah well. I shall see what I can do!

But THANKS again 1999...er...wait...do I know you from somewhere?


I don't think you have 'come a cropper' D.Foxy and yes you do know me from somewhere (that will give you a mystery to solve if no one spoils it ;) ) and the comments were just details really.

So bloody get on with it and post the next exciting, suspense-filled episode - before summer turns to autumn.
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Pawel Platek
 
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Post » Thu Jan 27, 2011 3:47 pm

Apoloooogeeez!!!

I have JUST managed after a battle of epic proportions, to get my comp to play Fallout 3 (I hope it will still allow me to do so tomorrow) and only now have managed to re-re find my password to this forum...

Yes, a new chapter will arrive within 24 hours of this post.

And a teaser...

If you thought you know what necromancy really was, you ain't seen and heard nothing yet!
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Jessie
 
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Post » Fri Jan 28, 2011 4:18 am

9. Phoenix and Ashes

Light and Shadow.

Moonlight being both, it discovers even in darkness, and reserves in its relevations. Visleith beside me in moonlight is reveled in beauty, yet the weak light also hides. Eyes just a shade too dark to see into, the shadow of her hair sculpting new shapes into her face. How strange the angles on her cheeks. Love's clutch clings to the familiar and shapes the strange into the serene even as the familiar slips beyond our grasp into darknesses we do not want to explore.


We walk. What she has told me has drained me of words, and now only the sound of our footfalls on the beach disturbs the soft mummur of sea and wind. The tang of sea on my lips. The kiss of breeze on my ears and cheeks. The scent of the world, carried over the bosom of the ocean, to my nostrils.

And the glow of knowledge in my heart, dark, shining, an unending call to the promise of the new. To know and do what few have done before. Or even none.

Though the night be sleepless, you can still carry on vigourously the next day, should but the surge of blood in your veins carry you through it. It seemed as if the turmoil of thoughts in my head was creating its own surge of energy. I had no need for sleep.

I had more than enough to think about.

The whole night had been a revelation for me. I now know the story behind Visleith's disappearance, and the reason why the Valleron pearls had been made. And, if my conjectures are true, I suspect there is much, much more to the story than even that?and that perhaps everybody has a hand in the game, even my taskmaster, Morkwin!

I smiled.

Ah, who was it who said "Beware for what you ask for, for in a fit of rage the Gods may grant you your wish"? He spoke so true?I have wanted to hold Venera in my arms, and kiss her, for so long, and lo and behold my wish is granted?and I discover that I nave kissed one illusion in the flesh, and more than one in my mind!

As we walk quietly, wordlessly, along the beach I look over again at Visleith. She feels my glance, and turns and half smiles at me. I shake my head. Why? Why do I still love her, even though what she has told me makes me now understand the true nature of necromancy?

Visleith's face may have been ? almost ? the exact image of Venera, but her words showed that she was indeed the two centuries and more that she claimed to be. I remembered the candlelight flickering off her face as she explained, all, while I sat cross-legged on the floor and drank in her words. I had begun a hasty explanation of what had happened, but she said she had to tell her story first.

"?I was continuing the research of my ancestors into youth, and I discovered what Morkwin has already discovered: that it was not possible to graft a youthful body to an aged mind without ill effects! My ancestors before me had tried, and all their experiments had resulted in creatures that were so damaged, either mentally or physically, that they were afraid to try out the experiments on themselves.

But I was determined. My grandfather had married a Breton, and while his son, my father, had not shown any of that heritage in him, it came out to the full in me ? and I knew that I could resist much more harmful magic than my pureblood Imperial Ancestors. I continued my researches, and as I did so an idea came to me?"

Her face is so similar to Venera's, and yet so much more mature, more refined. I could spend all day looking at her.

"?I thought, what is the use of memory? In our old age it weighs us down and hinders us more than it helps: and yet why do we not simply forget what is, for the most part, useless? I researched for a long time, and I discovered that we remember because our memories are precious to us in that it keeps us rooted in our sense of ourselves: we would not know who we were if we lost our memories.

Then I thought ? very well: we must have our memories: but what, exactly, is memory? Again I did research, and I discovered that there are two types of memories: memories of what happened, and memories of how exactly it happened. And it was the tremendous baggage of how a thing happened, especially things which happen later in life, that was causing this mismatch between the mind and the body.

For the memory of how an old body reacted, say, to the news of a friend's death a year ago, instilled in a young and fresh body, would cause a mismatch between the body-memory of the self as young, and the mind-memory of the self as old. But what, I wondered, if the fact that the friend had died was remembered, but the actual memory of how one reacted to it was deleted, or at least stored elsewhere until it was needed?

Some memories will be needed ? that is a fact. If your mind tried to acess a memory, for whatever reason, and then discovered that you could remember that the event in your memory had happened, but the actual memory of how it had happened was lost, your mind would lose its sense of identity, and you would go insane.

And that was how I conceived of the idea of the memory necklace, the necklace you call the "Valleron Pearls". They are not, of course, pearls, although I have designed them to look like pearls. They hold the detailed memories of all the things that remind the body that it is old, and therefore that leaves the mind free to remember just the facts, and not the details!

Of course, sifting and filtering the memories, and downloading them into the pearls, was neither an easy nor a quick job. And making the pearls in the first place ? now that was a job by itself! It was not possible to make the pearls without the use of life?so I had my agents go around Tamriel looking for prisoners who had been sentenced to death, and we approached the guards, who were bribed to look the other way, and the prisoners, who were offered money to give to anyone they wished ? provided we had the use of their bodies, immediately after death. We offered a sweetener, too: the executions would be carried out by our agents much more painlessly than the normal Imperial procedure. You'd be surprised how many of the prisoners accepted.

Once we had killed them, we would immediately remove their brains from their skulls, and then give the head to the Imperial Executioners to show they'd done the job. The brains were still half-alive: we kept them alive for a while, in order to infuse their memories into the inanimate stones I had designed to look like pearls. Once we had done that, they were discarded. And then we had to start the slow and delicate process of removing those memories from the now-sentient pearls?.it was quite a job, I can tell you! And even after we had finished, not all the memories were gone

But that didn't end the process ? it was only the beginning. Once we had created a necklace we then had to store all the unnecessary memories of myself into it ? when it was time for a rejuvenation. How often, do you ask? Well, I decided to do this every sixty years, so I've used up three of the fifty pearls in my necklace. After three thousand years I'll need a new necklace, of course, so I had more necklaces made. It was all going perfectly?except?"

Here her face suddenly turned harsh and, for a fleeting moment, ugly. Then it passed, and she looked down and smiled at me.

"?except that I had to spend at least a week at a time in my store casket when it was time to rejuvenate. And I had overlooked one fact ? people are both curious and greedy, and when you combine that with intelligence and cunning, you will get someone who draws up a plan to take your secrets away from you!

One of my smugglers was much more intelligent that I had thought, and he had hidden his curiosity well. He discovered the hidden chamber where I rejuvenated, but he was too cunning to loot it, or sell the information at once ? he took the time to find out as much as he could about what I was doing, so as to strike at the right moment and make a complete haul!

So the last time I went into the casket, he was ready. I was just beginning to doze off into the coma which would keep me unconscious while my memories were removed to storage, when I heard the casket open, and I saw his grinning face!

He thought that I was asleep, for he could not resist gloating out loud about how he had tricked me, and found out all my secrets?or so he thought. He said that he was going to seal my chamber and escape with the treasure he had looted, but before he did that he just had to look at "you, haughty [censored]" and gloat over what he was going to do. Then he said 'I know that there's some sort of magic in the jewels you're wearing, clever [censored], so I'm not going to risk taking anything of what you're wearing! Heh! I'm too clever for that! But I'm going to take this ? I think the Telvanni will be very, very interested?' and with that he reached down, and cut off a lock of my hair, and the tip of my left earlobe ?"

She turns her head. I see now that there is indeed some flesh missing from her left earlobe, though the wound is hidden from a casual glance by her brilliant diamond earrings. In spite of my self-control, I shudder. I instantly guessed what the smuggler did with those living souvenirs of her body ? and why the Telvanni were involved, now, in this!

" ? and then he left. I was powerless to resist or even wake myself, because the casket was now giving me a second dose of sleep, since that fool opening the casket had fooled it into thinking that one sleep session was over and another was beginning.

And that's as much as I can tell you?so now, my savior and rescuer, it's your turn. I've heard a bit from you, but I need to know much, much more. Tell me - how long have I been asleep, what's been happening, and how have you come here?"

I tell her. Many shadows pass across her face, complementing the shadows of the candles that flicker ever so slightly, even in this supposedly windless cavern. She listens intently, thinks for a long, long time ? and then leans forward and speaks.

"Well, Daryen, I think we should do this?"
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Jack Bryan
 
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Post » Fri Jan 28, 2011 2:36 am

I love a good twist. :thumbsup:
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LijLuva
 
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Post » Fri Jan 28, 2011 12:44 am

Oooh...I love parts where you get stuff explained to you! Really lvoely chapter as always. :)
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vanuza
 
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