Why do you say "Morrowind will come to be seen more and more as the the odd man out of the ES series"?
I suppose I was projecting into the future on the assumption that future games will be more like Oblivion than Morrowind, but honestly my opinion of Morrowind changes from hour to hour. Sometimes I think it's a half-finished alpha build of a game that put in a great universe and then forgot to add the gameplay, other times I think it's the artistic pinnacle of the TES series. I honestly haven't played Morrowind since before Oblivion came out, and the thing on my harddrive now is a misshapen mass of mods that bears little resemblance to the original game.
Daggerfall has been my favorite game of all time since I first played it 14 years ago, but it was still primarily a dungeon crawl made by a bunch of dudes in a basemant. Oblivion and Skyrim are large "open-world" games, a genre that didn't exist when Daggerfall came out, made by an enormously successful game making juggernaut. Morrowind comes in between, and has elements of both eras. It's the game that's least about walking around killing monsters and the most about exploring. I wasn't making a value judgment on Morrowind, but Daggerfall has its "sister games" in Arena and Battlespire, and Oblivion is probably going to be of a piece with Skyrim in many ways. Morrowind stands alone. But my model depends on Skyrim ending up a lot like Oblivion. If it, as I hope, turns out to be its own unique game experience, then we will simply have to say that every ES game is it's own beast entirely.
Look at all these personal documents I did not include in my list due to appearing as letters and notes rather than books and due to being much smaller, individually. Where are these in Daggerfall? What are the people that inhabit the province of High Rock like?
If we're going to be selective about viewpoints, than I cut out things from Daggerfall's list, too, no? What about one of my personal favorites from Daggerfall, http://www.uesp.net/wiki/Daggerfall:Jokes? Should I cut that out of my list for Daggerfall? How about a poem with with no actual meaning such as that of the http://www.uesp.net/wiki/Daggerfall:Rude_Song? It's a similar situation. Should I cut out the books on Faeries and Nymphs, as well? They're too "cliche", right?
There are letters in Daggerfall, they form a major part of the main quest. Don't you think we learn something about the King of Worms when he sends you a message sewn into the chest of a zombie? And the Rude Song actually tells us a great deal about what the people of High Rock are like. Poems like that are an excellent tool in studying the cultures of various peoples, both in Tamriel and in our own world. You're selling these things short to say they have no actual meaning.
For all the criticism Oblivion gets for supposedly lacking lore, I wonder how much of the lore those that criticize it actually bothered to learn:
I often wonder why people rarely even seem to know who Mankar's father is, how the Ayleids fought and subsequently lost in the first place, Mankar's implied ancestry, or the invasion of under Uriel 's orders. there are a myriad of things that rarely seem to be discussed about Oblivion's lore and people don't even seem to notice the whole Ayleid thing. Who can tell me about the sadistic practices of the Ayleids, or the tribal structure of goblins? What about Reman Cyrodiil? Where was he born? In what era did he live? What is the name "Alessia" a corruption of and who was her lover? Who is the one her lover called "uncle"? Say a few words of the Ayleid language or tell me how an Oblivion gate is opened, in detail. What is the difference between "white" and "black" souls? How did the internal conflict within the Mages' Guild cause it to collapse and who here has ever seen a hist tree before Oblivion? What did the first steal from Nocturnal and how was Sithis central to the Dark Brotherhood? Who does Count Indarys have strong ties to back in Morrowind? Tell me about the Beggar Prince? What was his/her name and how did he/she plea to ? What were the "gifts" bestowed upon him/her? Explain the folk tale of Garridan or the story of Rislav the Righteous. Who was Rislav the Righteous? Explain either the Beggar/Thief/Prince/King series or the Argonian Account series. Pelinal's seemingly holy virtues of sainthood were really only how the races of man viewed him. How was he truly not a man of such virtues? He had strong ties to and . Describe the vampires of Skyrim and Valenwood. Was there always only one tribe of vampires in Cyrodiil? If no, what happened to the others?
Is crossbreeding between vampires and orcs possible? Who was at the coronation of the Emperor Gorieus? How did Uriel Septim VII's experience involving Jagar Tharn change him? Describe the Orum Gang or the Renrijra Krin. What is a famous saying of the Renrijra Krin? How did the Oblivion Crisis worsen an already troublesome situation of the empire and, specifically, Cyrodiil? Describe the coronation process of a new emperor.
We could play this game for hours, and this laundry list doesn't really give us any insights into the quality of the answers to the questions. I could go on "Who was King Eadwyre's first wife? How did Elysana plan to snatch the throne from Helseth? What was Gortwog's role in the Battle of Cryngaine Field? Who was Lysandus' father? What's the first rank in the Mage's Guild? What's the second? What's the third?"
The point is, the value we put on the answers to these questions is entirely subjective. Art is subjective, and I think we can at least agree that TES games are approaching art. I know how frustrating it can be when people are always hating on something you love. Believe me, I know. But I'm honestly not sure what you hope to accomplish by subtracting years from your life in the blood vessels you must be blowing defending Oblivion's honor. Oblivion sold a zillion copies, way more than Morrowind, and several orders of magnitude more than Daggerfall. I would venture that most of the world agrees with you that it's a better game. You are not the one who should be on the defensive. The war is over. Fans of Oblivion won.
This thread was simply about someone saying that they found something to love in Daggerfall. There was no attack on Oblivion. What do you hope to accomplish by coming in, guns blazing, your list of 140 Oblivion books tucked under your arm, insinuating that Daggerfall fans only like it because they're using their imaginations to make up for "objective" deficiencies? You could just as easily argue that Daggerfall relies less on player's imagination than the newer games. In Daggerfall, I didn't have to "imagine" my character was scared of zombies. I could pick "fear of undead." But the importance of these selections is a matter of opinion.
You've got a lot of passion for Oblivion, and that's admirable. But you're not going to change any minds. Daggerfall has been my favorite game since 9th grade, and it means a lot to me, for reason that are admittedly as emotional and personal as they are to do with the quality of the game itself. I have no doubt you feel the exact same way about Oblivion. I'm sorry you feel persecuted in your love of Oblivion. That's not fair. I really just don't see the purpose in throwing the book (literally) at everyone who would dare to have a different opinion. There are a lot of Morrowind and Daggerfall fans who felt deeply betrayed by Oblivion. That's their right, too.
On a much less serious note, I had a professor back in college who actually gave me an A - - on several papers. He
despised me, but I did such good work that he knew I didn't deserve a B. It truly is the worst grade possible.