Hmmm. So you're saying that by ringing the bell of an established archetype, and changing its tune, that you could either A) use that power and maybe B ) transform that power. In the case of The Hanged Man, what would you gain in A? What motivation for B?
Or just continue.
Somehow I feel like this will spiral into a True History of the Disappearance, or The Numidium Was Really a Walking Wind-Chime.
Which would rule.
I was mixing my metaphors, which is a dangerous thing to do in mythopoeic enchanting.
The second bit refers to what Vivec and the Trib. did with the tools. They walloped the heart with it, creating a repeat of the mythic event of Lorkhan's heart being ripped out. Then they used Keening to turn the agony into a tone they could bathe in. Thus, Keening, wailing or suffering. The wraithguard was used to shield the user from the untransmuted... whateveryoucall raw mythic energy. You're the word dude, make something up.
First bit refers to the Numidium, which is what Kagrenac was trying to do before the Tribunal interrupted him. We know Kagrenac made the tools to create a mantella, a Crux of Transcendence. (For those who don't read the Tarot, the Hanged Man in Tarot symbolizes the Crux of Transcendence, suffering to gain transcendence: Jesus on the cross, Odin hanging from the tree to gain wisdom, etc.)
So, we know what the tools are like, and what the Tribunal did with them, and we know what the mantella is like, and more or less how Tiber Septim made it - he killed his best friend, reenacting the murder of Lorkhan by Akatosh, and shoved his best friend's soul (or his own, or both, since they were tied) into a fancy rock, and then he plugged it into the Numidium, or Divine Skin.
Where the Divine Skin itself came from, the wise can find in other places.