My first fan fiction story.

Post » Sun Jul 03, 2011 7:04 am

I decided to make a fan fiction story.
It may not be that great.
Tell me how you like it though.

Chapter 1: When Light Falls to Darkness

Sarvis, being a dunmer noble in morrowind, belonging to the rich House Hlallu, lived a life of ease. Having a manor in the city of Balmora was a great life for him. Sarvis made a large sum money making deals with the East Trade Company by selling the rich, dark, rare metal called ebony. Ebony was mined in deep caverns in the Red Mountain, but the work was profitable. Sarvis was still young, only in his mid twenties. He was tall, thin, a sly type of person. He had a silver colored hair, slicked back, and his face had painted ceremonial patterns of the native dunmeri in Vvardenfell. Being ranked "House Cousin" he would no longer make trades in the egg mining in Gnisis. Sarvis' manor was a moderate size. A one story building, having shelves full of Matze and decorative silver mugs. His main room had elegantly wood carved chairs and a large table in the center. The room over, his bedroom, had a large mattress, almost concealed by a red blanket and red silk pillows.

Sarvis enjoyed many splendors of life. He was a master trader, even doing deals with Telvanni for their bug musk sometimes or hiring the Redoran for bodyguards. In spare time he practiced three of his favorite things; Alteration magick, illusion magick, and the use of short blades. Sarvis' favorite weapon, an enchanted daedric tanto, could paralyze enemies while burning them. His tanto was light and hued a slight red color and had wicked daedric designs on it. Also, with the use of his magicks, Sarvis could walk on water while being invisible. He often enjoyed pickpocketing guards as they crossed the bridges in the center of Balmora since he could turn invisible and walk on water.

One night, his wonderful life was about to change. It would forever be cast away into a void of darkness. His almost-golden era, was about to fall...

As Sarvis slept after getting drunk at a nearby inn and bar and having a great night with his friends. He almost didn't make it home without the help from a House Hlallu guard that luckily new where he lived. Before sleeping, Sarvis usually locks his door but this time he didn't feel a need too. He was in a drunken sleep, dreaming of a life of higher fame and wealthy splendor, but he was awoken by the sound of a glass breaking and then the sound of a liquid dropping to the floor. He grabbed the lattern that was on his heavy wood dresser and his tanto, then stumbled into the main room, still drunk.

Sarvis slurred, "Wh.. who is, 'hic', there... c'mon, sho.. show yourself too, 'hic', unlce Saraviz."

a voice from behind him said, "You have no need to see me, for the Night Mother sends her regards. Your contract says you must be... poisoned."

The voice came from a dunmer man. He started to laugh lightly after he mentioned poison.

Sarvis turned sluggishly around waving his tanto sloppily but before he could truly strike, the man kicked Sarvis in the stomach making him fall to his knees and throw up the matze he drank earlier in the inn.

Atfer throwing up Sarvis started to plead, "Wha.. why me? What did I do? Wha.. 'hic'..."

The Shady figure cut him off by saying, "Hush now, it is time for you to be ended, your life will be over soon. A local apocethary told me this langorwine should be potent to put an opponent down easily."

Sarvis dropped his tanto and lantern almost in slow motion as the man only sliced his chest once and within a few moments, Sarvis was out.
----------------------------------------------------------------------------------------------------

How was it guys?
Just my first story.
Should I keep writing or stop?
And any advice for better writing?
Thanks.
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Life long Observer
 
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Joined: Fri Sep 08, 2006 7:07 pm

Post » Sat Jul 02, 2011 9:45 pm

I thought you did great and I think you should contiune the story. I am very interested to see what happens next. I'm not to good at punctuation and grammar myself but I did notice a couple mstakes.

"Sarvis made much money making deals with the East Trade Company" I think "much" needs to be "a lot of"

"stomach making in fall to his knees" Change "in" to "him"

"Atfer throwing up Savis started to plead" Forgot the "r" in Sarvis.

But overall like I said, I think you did a great job and the only advise I can give is just re-read your writing to get the mistakes you over looked. I look forward to reading more. :thumbsup:
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Rhiannon Jones
 
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Joined: Thu Sep 21, 2006 3:18 pm

Post » Sat Jul 02, 2011 7:50 pm

I thought you did great and I think you should contiune the story. I am very interested to see what happens next. I'm not to good at punctuation and grammar myself but I did notice a couple mstakes.

"Sarvis made much money making deals with the East Trade Company" I think "much" needs to be "a lot of"

"stomach making in fall to his knees" Change "in" to "him"

"Atfer throwing up Savis started to plead" Forgot the "r" in Sarvis.

But overall like I said, I think you did a great job and the only advise I can give is just re-read your writing to get the mistakes you over looked. I look forward to reading more. :thumbsup:


Just noticed my spelling error :sweat:
thank you by the way.
I shall make another chapter later on, I gotta get some sleep.
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dean Cutler
 
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Joined: Wed Jul 18, 2007 7:29 am

Post » Sat Jul 02, 2011 8:06 pm

Nice Job Josmic

Interesting to see where and what this could lead to.

But let me offer some humble advice.

Try not to start the story off with a quick back story that tries it's best to tell the life of the person. In a middle of a story you might be able to pull it off, but it's just a turn off in the opening. Let's say I wanted to read a book and so I was trying to find one I liked, I would read the first page and nothing more, maybe even the first paragraph. If it doesn't catch my interest I move on. This is opening is known as the "hook" and is meant to draw the readers in. You don't have one, when you first open a book you don't want to be given a biography of a man whom you could care less far. Of course I'm exaggerating, you offered only a couple sentences of background information and normally isn't that bad except that it was the opening paragraph.

You know what...I think I'm done there. Cause honestly it wasn't all that bad, just a little dry at the beginning and I want to see where you take this, sir.

On a side not, you should capitalize Dunmer as that is a race. Mer on the other hand does not need to be capitalized as it is a broad term encompassing many races. Just thought I would say that. I say this was a great start in writing you definitely have potential to take this somewhere.
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Becky Palmer
 
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Post » Sat Jul 02, 2011 5:46 pm

Nice Job Josmic

Interesting to see where and what this could lead to.

But let me offer some humble advice.

Try not to start the story off with a quick back story that tries it's best to tell the life of the person. In a middle of a story you might be able to pull it off, but it's just a turn off in the opening. Let's say I wanted to read a book and so I was trying to find one I liked, I would read the first page and nothing more, maybe even the first paragraph. If it doesn't catch my interest I move on. This is opening is known as the "hook" and is meant to draw the readers in. You don't have one, when you first open a book you don't want to be given a biography of a man whom you could care less far. Of course I'm exaggerating, you offered only a couple sentences of background information and normally isn't that bad except that it was the opening paragraph.

You know what...I think I'm done there. Cause honestly it wasn't all that bad, just a little dry at the beginning and I want to see where you take this, sir.

On a side not, you should capitalize Dunmer as that is a race. Mer on the other hand does not need to be capitalized as it is a broad term encompassing many races. Just thought I would say that. I say this was a great start in writing you definitely have potential to take this somewhere.


Thanks for the tip with openings since this is a first :P
and since im to tired at the moment to go cap Dunmer i'll just keep a mental note, and i'll probably use mer more often.
and I will keep the your readers updated.
Since im on my summer vacation i'll have plenty of time to make more before school.
9th grade is comin' in september... that means a month in the hell hole before Skyrim.
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Mario Alcantar
 
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Post » Sun Jul 03, 2011 7:01 am

Here is the next chapter guys.
I woke up not to long ago.

Chapter 2: Where do you turn

Sarvis awoke in a dark room, only being lit by a small latern that gave off a blue light. He heard the voice of an Argonian and another mer whom's race he could not distinguish. He heard them speaking of a remedy for the langorwine poison that was in his body. Then on Sarvis had to guesses; he was either in an apocethary or Azura knows were else in all of Vvardenfell he'd be. Since Sarvis could not open his eyes or move because his joints were very stiff and ached when ever he tried to nudge around. After a few moments he could listen to some of the Argonian and the strange mer's conversation.

The Argonian was barking out commands.

"Raziel, I hope you can get this langorwine out of him. The House Hlallu is paying a large sum for this member."

Raziel must be the other mer that is making the remedy, Sarvis assumed.

"I believe my Bosmer people know how to brew potions Timata. I just need to mix these corkbulb roots and some scrib jelly and a small amount of scuttle."

Timata said a simple ok as Raziel brewed the remedy. I could hear him mixing the ingredients. Not too long after I heard bubbling the a flask being filled. My body was still very numb as it pierced my limbs with pain. As soon as the flask was filled Raziel quickly came over to me and removed my silk shirt and poured the liquid onto my cut that was still very open. Moments after Sarvis opened his eyes and sat up. He felt... renewed.

Sarvis started to speak, "What happened? Why am I here? Who are you guys?"

Raziel, the Bosmer, replied, "We are the alchemists, or in your case, your guardian aedras, that saved you from being buried alive. My name is Raziel."

Timata broke in right after Raziel, "Mmm yes. Your great house Hlallu paid and comissioned us to get the poison out of you. Be thankful it was non-lethal langorwine. Any other poison would've killed you after about 2 or 3 days. Oh and before I forget, names Timata."

Sarvis asked, "How was I poisoned? How did I even get cut?"

Timata and Raziel both looked at each other confused and then they looked back at Sarvis.

Timata said in an unsure tone, "Uh.. er.. you honestly don't remember anything.. serjo..."

"Just called me Sarvis."

Raziel abruptly ended Timata and Sarvis' meet and greet and told Sarvis to head back to the great house to report that he is fine. Now that Sarvis was back on his feet he was out the door within seconds to rush back to house Hlallu manor in Balmora. Once he left the apocethary he knew exactly where he was. In the work district. Many middle to poor class Dunmer and other mer live in this area. Sarvis decided to take it slow, for it had been quite some time he was in this area. He observed houses that were around him. Many were cracked and made out of a clay-like brick. Shop windows displayed ragged clothes and cheap iron weapons. He could hear arguing in one house. Not too long after there was a scream and some Balmora city guards were storming into the house and they pulled out an orc that had blood all over his sack cloth clothing. Sarvis knew he could officialy call this area the "slums".

After crossing the city, Sarvis entered the Great House and thats when everything turned into a hectic blurr...
------------------------------------------------------------------------------------------------------------------------------------------------

That was the small chapter 2.
It is a small type of cliffhanger I guess.
Tell me how it is guys.
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Skrapp Stephens
 
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Post » Sat Jul 02, 2011 5:31 pm

First of all, welcome to the forum! :foodndrink: We're very happy to have you; it's always good to see fresh faces here, especially when they bring stories. I believe we've run out of fishy sticks, sorry to say, but it's good to have you nonetheless.

I commend you for having the courage to come post your story here, where anyone can read it. I assume then, that you are looking for a review? If so, I am more than happy to oblige. ;)

Spelling errors aside, I hope you don't mind if I annotate your story. Helps me to keep track of things. :P


I decided to make a fan fiction story.
It may not be that great.
Tell me how you like it though.

Well don't tell us that. :P Be proud of what you've written. You can be humble, but you should never put your own story down. Other than that I just wanted to say you might want to think about a title. "My first fan fiction" isn't the best way to attract readers. ;)

Chapter 1: When Light Falls to Darkness

Sarvis, being a dunmer noble in morrowind, belonging to the rich House Hlallu, lived a life of ease. Having a manor in the city of Balmora was a great life for him. Sarvis made a large sum money making deals with the East Trade Company by selling the rich, dark, rare metal called ebony. Ebony was mined in deep caverns in the Red Mountain, but the work was profitable. Sarvis was still young, only in his mid twenties. He was tall, thin, a sly type of person. He had a silver colored hair, slicked back, and his face had painted ceremonial patterns of the native dunmeri in Vvardenfell. Being ranked "House Cousin" he would no longer make trades in the egg mining in Gnisis. Sarvis' manor was a moderate size. A one story building, having shelves full of Matze and decorative silver mugs. His main room had elegantly wood carved chairs and a large table in the center. The room over, his bedroom, had a large mattress, almost concealed by a red blanket and red silk pillows.

Sarvis enjoyed many splendors of life. He was a master trader, even doing deals with Telvanni for their bug musk sometimes or hiring the Redoran for bodyguards. In spare time he practiced three of his favorite things; Alteration magick, illusion magick, and the use of short blades. Sarvis' favorite weapon, an enchanted daedric tanto, could paralyze enemies while burning them. His tanto was light and hued a slight red color and had wicked daedric designs on it. Also, with the use of his magicks, Sarvis could walk on water while being invisible. He often enjoyed pickpocketing guards as they crossed the bridges in the center of Balmora since he could turn invisible and walk on water.

Alrighty, well, like Yttrium said, it's usually not a good idea to start a story with a pure biography of your protagonist. I felt like I was reading a character sheet rather than a story. You can tell us all these things as the story progresses, but for now stick with the things we need to know. Only give the reader enough to make them interested; one of the biggest ways to hook an audience is with mystery. For instance, do we need to know right this instance that he is skilled at illusion magic? Perhaps, but not likely. Save that for a moment in the story when it's convenient to show us. Don't have him suddenly say, "Oh yeah, and I can do magic," but you don't need to tell us right at the start.

A good hook is something that will grab the reader's attention. If you're going into high school, you'll hear this ad nauseum from your Lit. teachers. You need to get the reader interested within the first paragraph, or else they may well stop. Especially on a place like a forum, where a hundred other stories are begging to be read. It doesn't have to be a flashy fight scene, or a dramatic argument, but it needs to pique our interest. The visitation from the Brotherhood is a tad cliche, but it's a good hook. People don't get assassinated every day. Now, if you could grab the reader from the start, then hold them long enough to read that, you're guaranteed to catch their attention. If you want to know more about hooks, there's plenty of stuff on the internet, or you can just look at the first page of your favorite book. :)


One night, his wonderful life was about to change. It would forever be cast away into a void of darkness. His almost-golden era, was about to fall...

Good use of foreshadowing here, though you laid it on a little thick. You're giving the reader something to be nervous about, something to make them wonder. They should be left guessing as to what's going to happen next.

As Sarvis slept after getting drunk at a nearby inn and bar and having a great night with his friends. He almost didn't make it home without the help from a House Hlallu guard that luckily new where he lived. Before sleeping, Sarvis usually locks his door but this time he didn't feel a need too. He was in a drunken sleep, dreaming of a life of higher fame and wealthy splendor, but he was awoken by the sound of a glass breaking and then the sound of a liquid dropping to the floor. He grabbed the lattern that was on his heavy wood dresser and his tanto, then stumbled into the main room, still drunk.

Sarvis slurred, "Wh.. who is, 'hic', there... c'mon, sho.. show yourself too, 'hic', unlce Saraviz."

Good dialogue here, I especially liked the tag "slurred". It felt very realistic. However, be careful not to overdo this kind of stuff. Between the ellipses and the "hic"s I lose track of exactly what's being said. It doesn't feel natural, and it's making me realize I'm reading a story. The goal is always to make the audience live and breathe with the characters, not just watch them. Immerse the reader. If they get caught up on choppy dialogue, the break in flow takes them out of the story. You have to make the dialogue and descriptions so smooth the reader doesn't even realize what's happening. Their imagination should be showing them the story.

a voice from behind him said, "You have no need to see me, for the Night Mother sends her regards. Your contract says you must be... poisoned."

The voice came from a dunmer man. He started to laugh lightly after he mentioned poison.

See, this is a good hook. Not to say you should start with this, but this is the kind of thing that grabs a reader's attention. The words "Night Mother" gives any story a sudden edge. It always means one thing: assassins. And as everyone knows, assassins- like ninjas- make any story more awesome. :P Just be careful you don't end up with the same, cliche assassin story. We've read hundreds of Dark Brotherhood stories, you need to think of a way to make yours different.

Sarvis turned sluggishly around waving his tanto sloppily but before he could truly strike, the man kicked Sarvis in the stomach making him fall to his knees and throw up the matze he drank earlier in the inn.

Atfer throwing up Sarvis started to plead, "Wha.. why me? What did I do? Wha.. 'hic'..."

The Shady figure cut him off by saying, "Hush now, it is time for you to be ended, your life will be over soon. A local apocethary told me this langorwine should be potent to put an opponent down easily."

Sarvis dropped his tanto and lantern almost in slow motion as the man only sliced his chest once and within a few moments, Sarvis was out.

Not bad, not bad. The assassin felt a bit wordy; I don't see a real killer mentioning to his victim how he is about to kill him, but that's fine. Not sure why Shady is capitalized either, but like I said, I won't nitpick grammar with you. All in all it's a pretty good story. I'm anxious to see what happens next, and that's the most important thing. You've introduced us to the character and setting, and now you've started off the plot with his death. Or, should I say, near death.
----------------------------------------------------------------------------------------------------

How was it guys?

Pretty good, I must say. You show some serious potential, especially for such a young writer.

Just my first story.

Then yeah, it's really good. :D My first story was complete nonsense; this is much better.

Should I keep writing or stop?

Of course keep writing. If you enjoy it, writing is endlessly rewarding. If you mean this particular story, then that depends on how you feel about it.

And any advice for better writing?

I was hoping you'd ask that. I might have one more thing to say, if you don't mind.

Thanks.



Okay, so, I don't want to overload you with advice, but there's one thing I always say to new writers. There is a single rule among writers that is almost always brought up. It has a dozen meanings, and all are helpful; you will never get away from this principle. What is this all important rule, you might ask? Well, it's a simple phrase, called, "Show, don't tell."

"Show, don't tell" means, primarily, that the reader doesn't want a boring biography of your character. You can write a summary of your plot for your own planning, but the reader doesn't want to see it. In essence, telling is summarizing your story. Whether you shorten a whole scene or a single description, when you don't give details it becomes telling. Details are what brings a story to life, and when you give them it's like adding a whole new flavor to your story. Good details turn a story told into a story shown.

You "show" when you give details on a scene, character, or object. You can show an action. You can show your character's nose. You can show anything in your story, and when you do, it immediately becomes more vivid and more realistic to the audience. Remember when I told you to make the reader's imagination show them the story? That's what I meant. Give them enough details so the story almost becomes a movie they see in their mind. I don't want to read about him being cut, I want to see it. I want to feel the blood, to smell his fear, and see the killer's knife flash in the candlelight.

Here's an example: "Bob the Hero went to slay the dragon. He climbed to the dragon's lair and brought out his sword. The dragon roared, and they began to fight. Bob fought hard, and eventually cut off the dragon's head."

That, my friend, is most definitely me telling you a story. You wouldn't want to read a story like that, would you? No, you want the author to show you what happened. Here's another example:

"Bob was a mighty hero, the strongest man in all the land. He could best any of the king's knights in the joust, and was legendary with his sword. When a terrible dragon began terrorizing the countryside, the people begged Bob to fight the beast on their behalf. Bob, the chivalrous hero that he was, agreed to hunt the dragon down and bring back its head. Bob left his village to many cheers.

Bob travelled many days, through heavy rain and harsh sun, and eventually found the dragon's lair. Bob looked up at the mighty mountain, spying a cave near the top. With a smirk on his face, Bob strapped his sword to his back and began to climb. He climbed for hours, his muscles burning, but he would not give up. When the sun had nearly disappeared from the sky, he threw himself into the dragon's cave.

The mighty beast woke, and roared its challenge to the intruder. Bob, fearless as he was, could not help but marvel at the creature's size. However, he had come with a purpose, and would not back away from the raging dragon's maw. Bob drew his gleaming sword, and rushed at the beast, shouting his own battle cry.

The dragon lunged, its sharp fangs snapping the air as Bob dove to the side. The hero rolled, got to his feet. The dragon tried again, its red eyes blazing with bloodlust. This time Bob stood firm, dodging at the last moment, before bringing his steel down on the creature's neck. Black scales gave way before gleaming metal, Bob's sword slicing through bone and flesh alike. Blood splattered in a great rush, staining Bob's face and chest a deep scarlet. The hero's own teeth gleamed white behind bloody lips as he shouted his triumph to the world."

A bit more wordy, true, but it's much more engaging. The latter was an example of me showing you the story. It's not the best, obviously, nor is the difference usually so great, but you get my point. It's better to show the reader, with details, than tell, with plain facts. Paint a picture in the reader's mind, and make it stand out.

I hope my advice helps, at least a little. You really are rather good, especially for this being your first story. So, thank you very much for writing, and keep up the good work! :thumbsup:
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Ezekiel Macallister
 
Posts: 3493
Joined: Fri Jun 22, 2007 12:08 pm

Post » Sun Jul 03, 2011 3:04 am

First of all, welcome to the forum! :foodndrink: We're very happy to have you; it's always good to see fresh faces here, especially when they bring stories. I believe we've run out of fishy sticks, sorry to say, but it's good to have you nonetheless.

I commend you for having the courage to come post your story here, where anyone can read it. I assume then, that you are looking for a review? If so, I am more than happy to oblige. ;)

Spelling errors aside, I hope you don't mind if I annotate your story. Helps me to keep track of things. :P





Okay, so, I don't want to overload you with advice, but there's one thing I always say to new writers. There is a single rule among writers that is almost always brought up. It has a dozen meanings, and all are helpful; you will never get away from this principle. What is this all important rule, you might ask? Well, it's a simple phrase, called, "Show, don't tell."

"Show, don't tell" means, primarily, that the reader doesn't want a boring biography of your character. You can write a summary of your plot for your own planning, but the reader doesn't want to see it. In essence, telling is summarizing your story. Whether you shorten a whole scene or a single description, when you don't give details it becomes telling. Details are what brings a story to life, and when you give them it's like adding a whole new flavor to your story. Good details turn a story told into a story shown.

You "show" when you give details on a scene, character, or object. You can show an action. You can show your character's nose. You can show anything in your story, and when you do, it immediately becomes more vivid and more realistic to the audience. Remember when I told you to make the reader's imagination show them the story? That's what I meant. Give them enough details so the story almost becomes a movie they see in their mind. I don't want to read about him being cut, I want to see it. I want to feel the blood, to smell his fear, and see the killer's knife flash in the candlelight.

Here's an example: "Bob the Hero went to slay the dragon. He climbed to the dragon's lair and brought out his sword. The dragon roared, and they began to fight. Bob fought hard, and eventually cut off the dragon's head."

That, my friend, is most definitely me telling you a story. You wouldn't want to read a story like that, would you? No, you want the author to show you what happened. Here's another example:

"Bob was a mighty hero, the strongest man in all the land. He could best any of the king's knights in the joust, and was legendary with his sword. When a terrible dragon began terrorizing the countryside, the people begged Bob to fight the beast on their behalf. Bob, the chivalrous hero that he was, agreed to hunt the dragon down and bring back its head. Bob left his village to many cheers.

Bob travelled many days, through heavy rain and harsh sun, and eventually found the dragon's lair. Bob looked up at the mighty mountain, spying a cave near the top. With a smirk on his face, Bob strapped his sword to his back and began to climb. He climbed for hours, his muscles burning, but he would not give up. When the sun had nearly disappeared from the sky, he threw himself into the dragon's cave.

The mighty beast woke, and roared its challenge to the intruder. Bob, fearless as he was, could not help but marvel at the creature's size. However, he had come with a purpose, and would not back away from the raging dragon's maw. Bob drew his gleaming sword, and rushed at the beast, shouting his own battle cry.

The dragon lunged, its sharp fangs snapping the air as Bob dove to the side. The hero rolled, got to his feet. The dragon tried again, its red eyes blazing with bloodlust. This time Bob stood firm, dodging at the last moment, before bringing his steel down on the creature's neck. Black scales gave way before gleaming metal, Bob's sword slicing through bone and flesh alike. Blood splattered in a great rush, staining Bob's face and chest a deep scarlet. The hero's own teeth gleamed white behind bloody lips as he shouted his triumph to the world."

A bit more wordy, true, but it's much more engaging. The latter was an example of me showing you the story. It's not the best, obviously, nor is the difference usually so great, but you get my point. It's better to show the reader, with details, than tell, with plain facts. Paint a picture in the reader's mind, and make it stand out.

I hope my advice helps, at least a little. You really are rather good, especially for this being your first story. So, thank you very much for writing, and keep up the good work! :thumbsup:


Thank you :)
So far im just plotting out part of the story.
I don't want to ruin the later details of what ive thought up so far.
And thank you for the warm welcome.
Since im fairly new to forums I honestly wouldn't of cared about the flak I would've gotten for being new or how bad or good the story would've been.
Chapter 3 should be up later tonight. :user:
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Nina Mccormick
 
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