In the Elder Scrolls universe, black roses are a symbol of savage beauty and romance, though they represent realised, rather than idealised conceptions of these things. These flowers grow only on the isle of Vvardenfell and the Great House Redoran is especially proud to put them on their family crests and coats-of-arms. Although called black roses, they may range in shade and can be black, though are often ash-grey, with very delicate petals through which light may shine to produce a chillingly beautiful effect. Their symbolism in The Elder Scrolls very closely mirrors that of their actual symbolism in the real-world Goth subculture, as noted above.
Some enthusiastic wiki-editor aspiring to be a poet.
My favourite ever was an article on Venetian masks that has since been removed, but it was so good that I copied it down. It read like an Italo Calvino short story and an outrageously fabulous cautionary tale. To think, this was something in an encyclopedia :
Venetian masks have been worn in Venice, Italy, since antiquity.
Unlike the vast majority of their counterparts in contemporary European nations, each citizen in Venice enjoyed a high standard of living. Everyone was part of the great economic machine that was the Republic. Venice was capitalizing on its position, on its gains, long before its contemporaries had realized the value of a market economy. With a level of social wealth unequaled since, the citizens of Venice developed a unique culture?one in which the concealing of the identity in daily life became paramount to daily activity. Part of the secrecy was pragmatic: there were things to do, people to see, and perhaps you might not want others to know what deals you were cutting. After all, the city is relatively small.
Additionally, the masks served an important social purpose of keeping every citizen on an equal playing field. Masked, a servant could be mistaken for a nobleman?or vice versa. State inquisitors and spies could question citizens without fear of their true identity being discovered (and citizens could answer without fear of retribution). The morale of the people was maintained through the use of masks?for with no faces, everyone had voices.
As a result of the concealment of identity, however, people naturally found themselves taking advantage of the situation. The society grew ever more decadent. The immense amount of travelers coming through the city meant that sixual promiscuity was commonplace and acceptable. Gambling went on all day and night in the streets and houses, even in convents. Women's clothing became more revealing; homosixuality, while publicly condemned, was embraced by the populace. Even the nuns and monks of the clergy, bejeweled and dressed in the latest imported creations, wore masks and engaged in the same acts as the majority of their fellow citizens. Rome turned a blind eye, as long as the Republic continued to make generous donations.
The Republic fell into a state of luxury, indolence, and moral decay. Eventually the wearing of masks in daily life was banned and limited only to certain months of the year. During the last year of the Republic's existence, this period extended for over three months from December 26. It was gradually shortened into the week-long festivities that now comprise Carneval? ( Carnival of Venice), elsewhere known as Mardi Gras.
» Tue Apr 13, 2010 12:25 pm 
