Teresa - Not A Hero

Post » Tue Jan 25, 2011 2:10 pm

What would you like to see more description of in particular? Teresa herself? Minor characters like the Emperor and Baurus? The setting? You will see some more physical description of Teresa throughout the story, as she actually goes through some physical changes. Not to mention some emotional changes that result in a physical changes as well. I will also have some screenshots coming up in later postings. I have really tried not to get bogged down in physical description though. As Treydog noted, I have been making an effort to strip down the writing to what is really necessary at its core.

First things first. I do agree with the other readers that less is more, and the bare bones approach is a good track to take.
However, one thing I do in my writing, is to throw in just a little description of the main character in the early part of the story. It helps the reader go down the same path as the writer.
The human brain, if not shown the path, will always make it up for themselves, and it could be a let down for the reader at a much later point when something is revealed, to have them say to themselves, "Oh, okay."

I feel this is especially important for an Oblivion storyline. Very few other fantasy games have such versatility with races, and it is easy to get lost along the way.

It doesnt need to be much - hair, eye color, body shape, clothes etc.
Just a little bit of info that seperates her from the crowd.

I love making up a 2 or 3 page character bio before I even begin to write the first chapter.
The character traits and personality always seem to determine what they shall look like.
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Cool Man Sam
 
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Post » Tue Jan 25, 2011 2:27 pm

Well, the second paragraph of the first post does say:

She ran a hand through her long brown hair, feeling for bumps or bruises. Yet she found none, although she was not sure if that was a good thing or a bad one. Rubbing the sleep from her green eyes, the willowy Bosmer

Then later in the 3d post:

he pushed the amulet into one of the pockets in her sackcloth breeches.

So I have said that she is a slender, female, wood elf with long brown hair and green eyes, wearing sack cloth.


Edited to add:

I could try to add in that she has pale skin in that 1st post. Done.
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evelina c
 
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Post » Tue Jan 25, 2011 10:32 am

Okay, about time for another installment I think.

* * *

Not A Hero - 4 - A Night Of Surprises

"We've failed, I've failed..." Teresa heard Baurus sigh as the world came back into focus, and with it the pain in her hand. "The Blades are sworn to protect the Emperor, and now he and all of his heirs are dead."

"Not all of them," Teresa was more surprised than anyone to hear herself say. "There is one other. Someone named Jauffre knows who it is."

"Another son?" said Baurus, eyes widening in surprise. "Jauffre is the head of our order, if the Emperor entrusted anyone with that knowledge, it would be him. But how do you know?"

"The Emperor told me," Teresa said, looking down at his still form. She felt tears welling in her eyes, and it took every ounce of her will to resist them. Her heart was still racing from the battle, and she could not stop the trembling throughout her body, or the tired feeling creeping into her limbs.

Baurus' eyes followed hers, and a moment later he tossed the bloody sword of the Emperor aside and dropped to the floor beside the body. For a moment Teresa thought he was indeed going to start weeping. But then she saw he was running his hands through the folds in the old man's robe.

"The Amulet of Kings!" He hissed. "Where is it!"

Teresa blinked at the sudden change of his demeanor, but only for a moment. Then she drew the amulet from her pocket and held it out to him.

"He gave it to me," she said, looking back down on the Emperor. "He said I should take it to Jauffre. He said no one else could."

"The Emperor said that?" Baurus asked, rising back to his feet. He placed one hand over Teresa's own and gently pushed the amulet back to her briast. "Then you must do as he said."

"How? I saw it all happen, right in front of my eyes. I couldn't stop it...." Now she did begin to cry. "I just can't do this."

"The Emperors see things, know things, that lesser men cannot," Baurus explained. "They say it is the dragon blood that flows through the veins of every Septim. If he said so, then you must go to Jauffre."

"But I do not even know where to find him!" she exclaimed, and cried out as a white bolt of pain lanced through her wounded hand. "Look at me. Do I look like a warrior?"

"Here, take this healing potion, it is the last one I have left." Baurus said, reaching into a pouch at his waist and drawing forth a blue vial.

But Teresa waved him off with her good hand, still clutching the Amulet of Kings in it. Concentrating upon the healing spell that one of the priestesses of Mara had taught her during their monthly rounds, she drew her magicka up from within her and poured it into her rent hand with a flash of white light. The flesh closed around the wound, but she could still feel pain throbbing deep within her palm. Once more she cast the spell, then twice again, until finally the pain stopped.

"Oh you're a stubborn one aren't you," Baurus said with what Teresa thought might be a tinge of respect, something that she was not accustomed to hearing in other people's voices. "Good. It looks like there is more to you than you give yourself credit for."

"Yeah," Teresa muttered, staring from her hand to the body of the assassin. "It's been a night of surprises alright."

She had never killed anyone in her life, nor even seriously imagined doing so. Yet here a man, and a hardened killer to be certain, lay dead at her own hand, Teresa thought. She did not feel the slightest twinge of regret, except that she had not been able to kill him sooner.

But it did seem strange to her. She could barely remember any of it. She could not even recall consciously deciding to pick up the sword and attack the assassin. All she could remember was the outrage that she felt at seeing the Emperor die. Somehow it had just taken control of her. Teresa had never thought she had that kind of anger in her, yet she had never met anyone like Emperor Uriel Septim before either.

"You will have to get off the Imperial Island and go west, to Weynon Priory. It is just outside of Chorrol," Baurus said. "Stay off the roads, we don't know if the assassins will be looking. They probably would not know you anyway, but at this point we cannot take any more chances."

"What about you, and the other man?" Teresa said, looking for the last Blade, who was nowhere in sight.

"He's dead," Baurus stated plainly, nudging the assassin's body with his boot. "We were ambushed while this one here did his work."

"I have to stay here with the Emperor's body," Baurus continued. "I will cover your escape in case there are more."

"You should come with me," Teresa reasoned. "I have never been outside the city. If I run into trouble in the wilderness..."

"No," Baurus shook his head. "Believe me, no one is more surprised than I am that I am sending an escaped prisoner off with the Amulet of Kings. But the Emperor trusted you, and I trust him. Besides, the assassins know who I am, and they know my place is by the Emperor's side, even if he is dead. If they see me running to Weynon they will know something is happening. They will suspect there is a last Septim that they missed. They must never know that."

Teresa nodded. His logic was inescapable. She put the amulet back in her pocket and leaned down to pick up the sword the Emperor had been carrying. It was a plain steel longsword, the kind any legionary might use. It hardly seemed like the weapon of an Emperor.

"You will need that. It belonged to a watchman who tried to help us in the prison," said Baurus, who then dug a heavy iron key from one of his belt pouches and handed it to Teresa. "Take this too. It will open the grate at the sewer exit. That is where we had been going. By the smell of that secret passage, it leads there too. Now you had better get going."

Teresa nodded. Gripping the longsword in one hand, she wiped the tears and blood from her face with the other. Then she headed down the passage that the assassin had come from.

"Talos guide you," she heard Baurus say behind her.
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Lily Something
 
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Post » Tue Jan 25, 2011 10:12 am

Well it seems you have lived up to your reputation yet again. Great work! Your version of the conversation with Baurus was much better then the one's my characters experience in-game. I like the way you are developing Teresa's character, but without missing the opportunities to develop the other characters (such as Baurus and the emperor). Keep up the good work and know that I look forward to reading more.
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louise tagg
 
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Post » Tue Jan 25, 2011 12:59 pm

Teresa's personality is really showing a lot in this chapter, endearing - wonderful interpretation of that scene, better than the game's take on it!
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Ana
 
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Post » Tue Jan 25, 2011 9:59 am

Skilfully written. Also, as best I could tell, the work was impeccable.

I would have liked to see inside her thinking a little more but I understand that it takes time to develop a character. More often than not, what she thinks and feels will project her as a person more than what she does. Hopefully, she will prove to be simpatico.
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Andrea P
 
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Post » Tue Jan 25, 2011 12:42 am

Again, you transcend the in-game dialogue and action by making it more personal and more real. In this addition, we get a better feel for Teresa and for Baurus. I particularly like the way you work game mechanics, like the healing spell, into the narrative. And I like the way Teresa is being revealed to us (and perhaps to herself?) slowly, as she reacts to events.
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Cathrin Hummel
 
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Post » Tue Jan 25, 2011 9:39 am

DiGNiiTy: Thank you. I did a re-run through of the tutorial and took screenshots of all the major dialogue. Actually much of his dialogue is still taken directly from the game. I just made up some parts to fit in vis a vis Teresa, and tried to make it all sound more natural, especially with the explanation of why Teresa was the only one who could carry the Amulet to Jauffre. I would like to use Baurus again at some point in my writing, but right now there is nowhere that he could fit in on my radar.


mALX1: Thank you. Imagine how overwhelming it would feel to be thrust into that situation? Yikes. I tried to channel that feeling into Teresa, tempered with her own character.


bobg: Thank you. I am trying to take it slow with showing who and what Teresa is, continually revealing a little bit over a period of time, in an effort to make it seem natural. I have always firmly believed that a person's actions speak most strongly, and in many ways her actions will prove to define her.


treydog: Thank you. You are most perceptive once again. Teresa is indeed discovering herself just as we are (and I do mean we, because in many ways I am just a spectator as well - Teresa tells me what she is going to do and say). The qualities we are seeing in her now are ones that she herself has never seen in herself. One of the reasons I was very pleased with this story when I was finished with it was that it shows a very clear process of development of her character. She is a very different person by the end. I was not really shooting for that when I started writing. I just wanted to establish a baseline of her character. But in the process of moving the story along I found that her character was evolving with it. It was not until after my 3rd or 4th draft that I realized Not A Hero was essentially a vision quest for her, a journey not only in body, but in mind and spirit which changed her forever.
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NO suckers In Here
 
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Post » Tue Jan 25, 2011 2:55 am

* * *

Not A Hero - 5 - Not Alone

Baurus had been right; the passage led directly to the sewers. It was a place of dark, wet stone. Wet with what Teresa would rather not think about. The smell was bad enough. Occasional pools of light fell from grates in the ceiling high above, illuminating narrow walkways that hugged the walls of the tunnel, while a wide channel of water and sludge flowed down its center. She followed the tunnel down the direction the water was flowing, reasoning that it must empty into the lake.

Teresa soon found that she was not alone in the dark tunnel. When she first heard the sounds she thought it must be more of the assassins. But she soon learned that was in fact something else entirely as she sneaked closer. These creatures walked upright like people, but were short and hunched over, with misshapen heads and limbs. There were several of them gathered around what looked to be a body that lay on one of the walkways, and they seemed to be looting it.

Teresa was glad she had left the torch behind, otherwise the creatures would have seen her. She was not sure just what they were. She thought they might be goblins. But she had never seen one, so she could not be sure. She did know that there were three of them and only one of her however, so the last thing she wanted was a fight, even though she was larger than any of them.

The problem was there was no other way for her to go except through them. There had been no side-passages behind her, only this one straight tunnel. So she waited in the shadows, hoping they would not see her. As she watched, she saw that they were definitely looting a body.

One lifted something above its head, and Teresa's heart leaped. By the shape, it was a strung bow. She actually knew how to use that, thanks to long hours of practice with her fellow street rat and archer Methredhel. If she could get her hands on that, she thought, she might be able to do something against them.

Then another of the creatures lifted a small pouch from the body, and Teresa could hear the distinctive jingling of coins from within. The other two creatures both stopped what they were doing and looked at the first. Then almost as if on cue they dropped what they were holding and all grabbed for the pouch with a host of eager squeals.

Teresa tucked the longsword into her belt, hoping that its blade would not slice it to ribbons. Then she concentrated on the Flare spell that Methredhel had also taught her, so that all she needed to do was let the magicka flow when she wanted to use it. While the creatures played tug of war with the coins she sneaked closer. They were becoming rough, and one jumped over the body and landed atop the first creature, sending both of them sprawling in the direction opposite from Teresa. The third followed a moment later, leaving the way to the body, and the bow, wide open.

This was her chance! Teresa thought. No longer trying to be sneaky, she ran up and grabbed the bow. When she drew near she also saw a bag of arrows laying on the walkway beside the body. She caught that up in her free hand as well, and as one of the creatures turned to look at her, she sped back down the tunnel in the direction from which she came.

She heard the squealing of the creatures behind her take on a new tone, and a moment later the sound of pounding feet echoed in the tunnel behind her. The footsteps had an odd scratching sound to them, like the footsteps of a cat or dog on a hard floor. Racing back to the first turn of the tunnel, she stopped and dropped the bag of arrows, deftly catching one in her hand as the rest fell to the ground.

Her heart pounded in her chest as she raised the bow and nocked the arrow on its string, silently thanking the Nine that neither had gotten wet in the sewage. She did not really think about what she was doing; hours of practice had taught her body to do what was needed. Drawing the string back to her ear with every ounce of strength in her arms and shoulders, she briefly sighted the arrow at the center of the first dark shape coming down the tunnel and loosed.

Wasting no time to see if she had hit, she anxiously bent down to yank another arrow from the bag. A high-pitched scream came from down the hall, and a moment later she heard a loud splash. She rose and pulled the bow to full tension once more, noticing a thrashing in the water in the center of the tunnel. She ignored it, and just as before quickly sighted her arrow at what looked like the center of the dark shape of the second creature ahead and loosed.

She felt that same cold rage inside her that she had felt when fighting the assassin. Only this time it was not so all-consuming, not to so personal. This time it was a hard serpent in her chest wanting to strike out and kill. Hard enough to steady the tremble that Teresa could feel ready to course through her frame, and cold enough drown out the thundering of blood in her ears. She let that cold anger drive her as she reached for a third arrow.

But the second creature did not go down as the first did, and before she could draw her bow another time it was upon her. Teresa saw a short blade glittering in its hand, and now panic did flood through her. With a scream she threw her hands up in front of her, reflexively turning loose the magicka within her as she did.

The bolt of fire illuminated the sewer in red light, briefly giving Teresa her first good look at her enemies. They were green-skinned creatures, having huge ears and elongated skulls packed with teeth. Their arms were bony and terminated with clawed fingers, and their legs were similarly thin, ending in bare feet tipped by claws.

The goblin - as Teresa was now certain it must be - gave out a short scream that cut off in mid exhale. The stench of roasted meat overpowered the effluvium of the sewer in her nostrils. Then the creature limply fell into her, still hot and smoking from the flame that had burned its life away.

The twang of a bow shot filled Teresa's ears. A shock ran through the limp body of the goblin, and a moment later she saw the feathered end of an arrow protruding from its back. The third goblin was an archer, Teresa realized as she pushed the corpse off of her and scrabbled on all fours around the corner of the tunnel.

Her body shook as she reached for another arrow. The familiar action seemed to steady her nerves however, and once more she felt that cold hardness within her rise to the fore. She stood and took a deep breath. Raising the bow and drawing it to half tension, she stepped sideways around the corner and back into the tunnel.

Pulling the bow to full tension now, she let half of her breath flow from her lips and sighted in on the goblin archer down the hall. A moment later her arrow was in flight, and she stepped back around the corner to ready another. Even as she moved, she heard the twang of a bowshot come from down the hall and gritted her teeth. But the goblin's arrow did not find her as she stepped to safety.

She heard a brief screech from the tunnel, followed by a heavy thud. Then Teresa stepped back into the hall with another arrow ready. The goblin archer was nowhere in sight. He must be down, she reasoned. The first goblin she had shot was still thrashing in the muck in the middle of the sewer. She stepped closer with her bow at half tension. Now she could see that her arrow had pierced his leg at the knee.

That must really hurt, she thought without the slightest bit of compassion. She walked up to the edge of water channel and stared at the creature. The goblin stopped thrashing and stared back up at her, eyes blazing with hatred. With one smooth motion of her bow Teresa finished it.
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danni Marchant
 
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Post » Tue Jan 25, 2011 5:04 am

Epic, the realism in her bow usage, the though about magic use pushed back to only moments later be released through shear reflex's, and the fluctuation from fully in control, to out of control, to calmed by routine. All this with a hint of compassion with the final arrow. This post was more then I ever expected keep up the good work.
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Jonathan Montero
 
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Post » Tue Jan 25, 2011 3:31 pm

She felt that same cold rage inside her that she had felt when fighting the assassin. Only this time it was not so all-consuming. Not to so personal. This time it was a hard serpent in her chest wanting to strike out and kill. Hard enough to steady the tremble that Teresa could feel ready to course through her frame, and cold enough drown out the thundering of blood in her ears. She let that cold anger drive her as she reached for a third arrow.

This writing is simply marvelous. Well done. :goodjob:

Your combat scene had a flow that seemed different to the ingame experience. It was this uniqueness that made it so very good.
Keep up the great work.
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Tyrel
 
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Post » Tue Jan 25, 2011 8:40 am

What a fight scene! This was riveting!
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Rachel Tyson
 
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Post » Tue Jan 25, 2011 12:46 am

The latest works on so many levels- it moves the story forward, provides more history of our young Bosmer, and reinforces that background. One wonderfully subtle example- they might be goblins, but Teresa is not sure at first. And why would she be? She has spent her entire life in the Imperial City, and has no definite knowledge of such things. The archery duel and the coup de grace at the end are also masterful depictions of how she is changing- and staying true to her nature. Wonderful.
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Sophie Morrell
 
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Post » Tue Jan 25, 2011 4:15 pm

Great read. As mALX1 says; riveting. I too like the fact you are not simply parroting the game but giving us a creative what-if that is still consistent with the familiar sewer scenario. I'm looking forward to the next episode.
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Kelly Upshall
 
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Post » Tue Jan 25, 2011 4:38 am

I have waited until now to post, SubRosa, though what I now say will not be under the Rose.

I almost never post after seeing the OP's first post: I don't have enough material yet to judge whether the story is good or not. This is why I am posting only now.

First: overall, it passes the first test for me personally - that is, it is a 'page turner'. This is ... for people like, say, Seti18 who are asking for advice... the FIRST TEST of a story. Does it make you yawn, or does it make you want to continue, even if you see some jarring or irritating or questionalble writing here and there? If it does, then the first test is passed! The other faults can be eradicated later - but if that all-important FIRST TEST is not passed, then the story is a failure. I am so happy that THIS story is not! Congratulations, SuperRosa!

* I know, I know... :P *

Now to do the equivalent of nailing down a blob of mercury ... that is, to anolyse. As far as one can do such a thing, I think what pulls me in the story is the development of the character, and the sudden yet...somehow...completely plausible change from skulker to stormer that the witnessed death of the Emperor triggers in her. This kind of "road to Damascus" conversion is one of the most difficult things to do in writing, and you have done it. Did you even know that, I wonder? I suspect not. You just went ahead instinctively and did it. Kudos!!!

I love the attention paid to logic in your story. So many storytellers just say that X happened, and let the reader ponder how the hell that did happen. You have done it, and did it in a way that I cannot do yet - that is to say, concisely and cogently. Applause, again...

Let's cut to the chase. When can we see another chapter?

:thumbsup:
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Dan Scott
 
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Post » Tue Jan 25, 2011 7:03 am

DiGNiiTy: Thank you. I was not going for even a hint of compassion in the final bowshot however. I was hoping more for what Acadian would say was "cuddly as a rattlesnake". I went back and edited that final line to make it seem more ruthless.


Winter Wolf: Thank you. I have been trying very hard to make Not A Hero seem fresh and new, given the circumstances.


mALX1: Thank you. It took a while to get that just right.


treydog: Thank you. One thing that has actually helped my writing was all the time I spent playing pen & paper roleplaying games when I was younger. That taught me to think and act based upon what the character knows, not what I know.

Also, thank you again for the things you pointed out, which I have fixed.


bobg: Thank you indeed. Thankfully this will get us through the part of the story that is very derivative of the game, and into completely territory.


D.Foxy: Hi O' Kitsune of the D, welcome to Teresa's world. I am glad you are enjoying it. I found your Of Blades, Fights, and Assassins topic to be very helpful. I have not commented there because I saw Leydenne put a note in the topic saying you wanted the conserve the remaining posts for new work.

A long time ago I was a member of an amateur press association and one of the many things I learned from that was that you have to set your hook in the reader very quickly for the reasons you cited. It does not matter if your writing is pure gold later in the story if your opening does not get their attention and make them want to continue turning pages. Because of that I am always very nervous about the first few pages of anything I write.

I really was consciously working to depict that evolution of Teresa's character. It was a requirement really, as I had to explain how she went from someone with no self-confidence to one who would be willing to actually go out looking for trouble. Thankfully the plot provided me with the perfect tool for that in the death of the Emperor. One of the reasons I worked to make him seem larger than life in Teresa's mind was so that his death would a such powerful influence on her. Of course that is also combined with simply being cornered and forced to fight or die for the first time in her life. So there was a good double-whammy there.

I have always imagined that Teresa was one of those 'gutful few' people who actually shot to kill in a fight. It was just that she never had the impetus to reach down inside of herself and draw that out until now. She has always been able to avoid serious violence by running or hiding, and since that is what she has always been told to do, that is what she had done. In some ways I compare her to U.S. Grant, who never amounted to anything until the U.S. Civil War, when he found that he had what it took become a successful general. But if not for that war he would have never risen above obscurity.

As far as moving the plot goes, one thing I learned a long time ago was that all the characters must act based upon their motivations and personalities. They should always do things because it is in their nature, not because it is what the writer wants them to do. That can make things tricky as a writer, and often cause the plot to go down paths you were not expecting. I was surprised at some of the things that came out when I was writing this in fact. But I followed down the path Teresa naturally took, and everything worked out better than I originally planned.


Edit: Well, since D Fox asked, I may as well post the next installment. Note that this is one of the places where I have taken artistic license, namely with my description of Night Eye.


* * *

Not A Hero - 6 - Masser's Light

The tunnel fell into a silence that was only pierced by the steady dripping of water and the sound of Teresa's own gasping breaths. The skin of her left arm ached where the bowstring had rubbed against it with every shot, and her fingers throbbed in pain from releasing it with her bare hands. That was what she got for using a bow without an arm bracer and a shooting glove, she thought.

Looking down at her hands, Teresa saw that they were trembling. A moment later she dropped to the stone floor, shaking all over. Her heart pounded like a hammer in her chest, and the pain in her arm and fingers became worse and worse.

Yet in spite of it all, she felt exhilaration coursing through her body. She was alive! she thought. She had faced three goblins, and she was alive! She sat there, just happy to still be breathing, and waited for her hands to stop shaking.

Once they did she concentrated upon her healing spell, then released her magicka with a glow of white light and sent it into the scraqed skin of her arm and fingers. This time it only required a single casting for the pain to stop.

Then she took a closer look at the body the goblins had been fighting over. It was a man, an Imperial perhaps, and did not seem to have been dead for long. He was dressed from head to toe in brown leather, including a thick cuirass that could not be mistaken for anything except armor. His head was bare except for a curious-looking pair of goggles that he wore. An arrow had pierced his leg, and his throat was torn out in a huge gash.

The work of the goblins no doubt, Teresa thought. But who was he? He was not a legionary, or one of those assassins, that was for certain. Was he a thief? she wondered. She had heard that some of them used the sewers as an underground road, hidden from the eyes of the Imperial Watch. What about the goblins themselves? Was it normal for such creatures to live so near to the city? Just under its nose in fact?

Teresa shook her head. She would probably never know the answers to her questions, she reasoned. All that mattered right now was that she was still alive, and she had to get moving.

Still, her street instincts moved her to gather up the bag of coins the goblins had been fighting over and attach it to her own belt. Likewise she pulled the leather cuirass from the dead man's frame a moment later and settled it upon her own shoulders. It felt bulky and uncomfortable, but if there were more goblins ahead it might save her life. His gloves followed soon after, and rifling through his belt pouches she discovered a handful of lockpicks as well. Finally she pulled the goggles from the dead man's head and settled them over her own eyes out of curiosity.

She was startled when the tunnel suddenly lit up as if it were under the noon day sun. She could see every individual stone, crack, and droplet of water that fell from the ceiling. A shaft of light from a hole in the ceiling ahead was so bright that it was near blinding, prompting her to turn her head away. Strangest of all, nearly all of the color washed out of everything, reducing the world to a grayish landscape broken only the occasional bits of muted red or yellow.

This must be what that Night Eye spell did that she had heard about, Teresa thought. She knew that many thieves preferred it, as it allowed you to see in the dark without making any light that would give them away.

A quick rummage through the corpses of the goblins yielded no great treasures as the dead thief had. They carried little more than daggers and wore filthy loincloths. The archer had a brace of arrows, but when Teresa inspected them she found they were smaller, shorter, and thinner than those she had found on the thief. They also appeared to be tipped with soft iron, where his were plainly of good hard steel. So while she strapped the arrow bag of the thief around her waist, she left the goblin's arrows behind, as she knew they would only make her misjudge her shots if she tried to use them. Once she got used to the heavier arrows of the thief that is.

That is when it occurred to her that if the last goblin had not been an archer, but instead had charged in at her as the first two had, she would probably be dead. The thought gave her a chill, and brought the tremble back to her hands. She had panicked when the second goblin was upon her, she thought. What would she have done if the third had been right behind with a knife or club? What should she do differently the next time, to be prepared for that? she wondered.

Suddenly she stopped and realized what she was doing. She was assessing weapons and tactics, as if she did this sort of thing for a living. As if she was going to continue doing so. She sounded like the legionaries did when they talked about fighting. She sounded like a warrior...

Her head spun. She was a nobody, she thought, a nothing; just an orphan from the slums with no past and no future. Yet here she was alive and well, after fighting and killing an assassin and then three goblins all on her own. A curious sensation filled her chest. It was warm, comforting, and made her stand a little straighter. It was something she had never felt before, and it took a while for her to understand what it was. It was pride, she finally realized as a faint smile came to her lips. For the first time in her life, she felt truly proud of herself.

The smell of feces interrupted her chain of thought. Proud or not, she was still in a sewer, she thought. It was time to go.

She started off down the tunnel, getting used to the weight of the leather cuirass. She did not like it at all. It was too big in the shoulders, too tight in the chest, loose in the waist, and tight again in the hips. Clearly, she thought, it had not been made for her six.

In time the tunnel narrowed and turned into a round tube, while the dry ledges to either side vanished. With no other choice, Teresa waded into the mire and pushed on to what she hoped would soon be the exit.

http://img.photobucket.com/albums/v90/subrosa_florens/oblivion/Oblivion058.jpg

Soon afterward the light seemed to brighten in the tunnel ahead of her, prompting Teresa to stop and raise her free hand to her face. Carefully grasping the Night Eye goggles and trying not to smear muck over the lenses, she drew them up from her eyes and rested them on her forehead.

The tunnel was plunged into shadows that obscured everything in dark swathes. Yet in that near inky darkness she could make out a red lightness ahead. It was steady, not the guttering of a torch or lantern, and her heart leaped at the thought that she might finally be nearing the way out of her dank and dark prison.

She tried not to get her hopes up too high and drew the goggles back down over her eyes. Once again the colors of the world dissolved into a dull grey. Looking more closely ahead, she saw what she thought might be bars blocking the tunnel far ahead.

Gripping her bow tightly in hand, she slowly crept forward. She stayed as near to the wall as she could because the goo was not as deep there. It occurred to her that it would also prevent her from creating a silhouette in the tunnel, and she suddenly felt proud of herself for being such a professional sneak, even if it were completely by accident.

She came to a gate of rusted irons bars that blocked the passage. She could smell fresh air now, and hear the lapping of water beyond. Fumbling through the pockets of her sack cloth breeches, Teresa produced the heavy iron key that Baurus had given her. With trembling hands she put it into the large square lock, and when she tried to turn it found the door swinging open under her hand.

She remembered the lockpicks she found on the thief's body. Perhaps he had picked the lock to enter this way? she thought? Or maybe the goblins had? She shrugged. It did not really matter, because now she was free.

Moving through the door, she found herself standing at the end of the stone tunnel, with the vastness of Lake Rumare spread out before her. Again Teresa pushed the goggles up on her forehead, but this time did not fuss about the lenses. The giant moon Masser glowed above her with its red light, and the night sky around it glittered with a thousand silver stars.

Teresa looked down at herself. The sack cloth breeches that she wore were soaked with filth and blood, as was the leather cuirass and gauntlets that she had appropriated in the tunnels. Squatting down by the edge of the water, she stared at her reflection with disgust. Her pale skin was as grimy as her clothing, and her long brown hair matted with blood.

Without a second thought she cast her bow and arrow bag aside and leaped into the water. It was cool, clean, and caressed her like the touch of the mother that she always wished she had. Staying under the surface as long as her lungs would allow, she rose up and took a deep breath of fresh air.

Then she set to pulling off her gloves, shoes, and cuirass. She knew the water would ruin the leather, but it was not like any of it had been in pristine condition to begin with, and there was no way she was going to put it back on her skin the way it was. Her sack cloth breeches and shirt followed, until finally she stood naked in the lake and let her body sink into the cool embrace of the water.
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Lifee Mccaslin
 
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Post » Tue Jan 25, 2011 6:18 am

You are really giving a feel for Teresa's personality, and what she is feeling - Awesome write, I think this is my fave chapter so far!
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Daddy Cool!
 
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Post » Tue Jan 25, 2011 10:13 am

It's the middle of the night here. And I'm humming a song by Shania Twain.

"...you got the moves, baby, but have you got the touch?"

And in my mind I reply:


Yeah Baby!

Not only do you have the moves, but you have the touch as well - the touch needed for writing.

Consider these, readers:

"...Looking down at her hands, Teresa saw that they were trembling. A moment later she dropped to the stone floor, shaking all over. Her heart pounded like a hammer in her chest, and the pain in her arm and fingers became worse and worse.

Yet in spite of it all, she felt exhilaration coursing through her body. She was alive! she thought. She had faced three goblins, and she was alive! She sat there, just happy to still be breathing, and waited for her hands to stop shaking
. "

Now that's a touch - light and true, that adds versimiltude to a story. And one I know that is true from personal experience. See, readers, how this adds to the characterization, and does it so lightly that the reader doesn't feel it? Too many writers, myself included, 'lay it on with a trowel' (which is why I am so wordy). Not Rosa non-poseur...

*sorry couldn't resist* :P

"...A curious sensation filled her chest. It was warm, comforting, and made her stand a little straighter. It was something she had never felt before, and it took a while for her to understand what it was. It was pride, she finally realized as a faint smile came to her lips. For the first time in her life, she felt truly proud of herself. "

Excellent...but Rosa makes excellent into magnificent by the use of =

"...The smell of feces interrupted her chain of thought. Proud or not, she was still in a sewer, she thought "

LOOK at the way Rosa's avoided being too rosy! The handling of dramatic anticlimix is something that is not at all easy to do - again you need the 'touch'. And here again, as delicately as a great swordsman flicks his wrist at just the right time in his timed thrust, she has done it.

Aspriring writers and established ones alike, watch and learn.

I think I'll stop here for a bit, or Rosy will say my posies are getting too prosy.

BTW, Rosa, here's a personal question --- you don't have to answer it if you don't want to, you can just ignore it. You wouldn't be a redhead by any chance?
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Bonnie Clyde
 
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Post » Tue Jan 25, 2011 1:36 am

You are really giving a feel for Teresa's personality, and what she is feeling - Awesome write, I think this is my fave chapter so far!


You really enjoyed this one the most? That is a relief to hear. I was starting to feel afraid that the action scenes were the ones people were liking the most. Since the rest of the story is very light on action, I was starting to grow concerned...



It's the middle of the night here. And I'm humming a song by Shania Twain.

"...you got the moves, baby, but have you got the touch?"


"ok, so you're Brad Pitt..." :biglaugh:


LOOK at the way Rosa's avoided being too rosy! The handling of dramatic anticlimix is something that is not at all easy to do


With all the anti-climixes that life has handed me, believe me, it comes natural by now... ^_^


BTW, Rosa, here's a personal question --- you don't have to answer it if you don't want to, you can just ignore it. You wouldn't be a redhead by any chance?


As a matter of fact I am, at least at the moment. ;)
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GRAEME
 
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Post » Tue Jan 25, 2011 4:55 am

You really enjoyed this one the most? That is a relief to hear. I was starting to feel afraid that the action scenes were the ones people were liking the most. Since the rest of the story is very light on action, I was starting to grow concerned...



I get that feeling too, and my character hasn't had a fight since the Arena. What I liked best about it is probably the (chick stuff, as someone on this forum said..., hmmm, D.Foxy? lol). The feelings, her reactions, the sensory descriptions - your detail and descriptions are perfect!
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Laura Cartwright
 
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Post » Tue Jan 25, 2011 2:59 am

As a matter of fact I am, at least at the moment.

THAT DOES IT.

It's a conspiracy I tell you...IT'S A CONSPIRACY....

There are FIVE women writers whose work I love and revere on this forum...

Helena, Rumpleteaza, Subrosa, BSparrow, and MalX1...

AND THE FIRST THREE ARE REDHEADS!!!

And...I suspect BSparrow is a redhead too...and I'm afraid to ask the colour of MalX1's hair...

:ahhh: :ahhh: :ahhh: :ahhh:

IT'S A CONSPIRACY! REDHEADS FROM THE PLANET FEMINA INTELLECUTUA ARE INVADING EARTH THROUGH BETHESDA TO TAKE OVER THE WORLD! WE MALES ARE DOOOOOOMEEED!!! AIYEEE - AIYEEEYAH - AAAARRRRRGGGGGHHHH!!!!

And MalX1 too is red...and who wants to make a bet as to BSparrow's hair colour???


NOW WHO SAYS THAT I AM SPOUTING STUPID CONSPIRACY THEORY NONSENSE????

.Foxy- just so you know, Mrs. Treydog is a redhead. And a painter of rare talent.

*FOXY looks for a cliff to jump off*
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Jessica Stokes
 
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Post » Tue Jan 25, 2011 3:39 am

As a matter of fact I am, at least at the moment.

THAT DOES IT.

It's a conspiracy I tell you...IT'S A CONSPIRACY....

There are FIVE women writers whose work I love and revere on this forum...

Helena, Rumpleteaza, Subrosa, BSparrow, and MalX1...

AND THE FIRST THREE ARE REDHEADS!!!

And...I suspect BSparrow is a redhead too...and I'm afraid to ask the colour of MalX1's hair...

:ahhh: :ahhh: :ahhh: :ahhh:

IT'S A CONSPIRACY! REDHEADS FROM THE PLANET FEMINA INTELLECUTUA ARE INVADING EARTH THROUGH BETHESDA TO TAKE OVER THE WORLD! WE MALES ARE DOOOOOOMEEED!!! AIYEEE - AIYEEEYAH - AAAARRRRRGGGGGHHHH!!!!



I am also a redhead Foxy, lol. Redheads have the passion to write the kind of stuff a romantic like you likes to read. By the way, thanks for the compliment above. I should PM you with this instead of spamming the thread, sorry.
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Chrissie Pillinger
 
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Post » Tue Jan 25, 2011 6:21 am

lol. Don't worry about D.Foxy. It is just a Bill Murray 'Lost in Translation' thing. He will get over it. :touched:
His Porsche is arriving tomorrow.:lmao:

Another great read SubRosa. The story contains little action or dialogue and yet has beautiful pace and touch to it.
Very few writers can deliver a post that still hits the spot like you have.
Well done.
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Laura Ellaby
 
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Post » Tue Jan 25, 2011 2:15 am

This, you see, is what brings a reader back again- and again. No action? Perhaps there is no fighting- but there is emotional action enough to sate any adrenaline junky. Your prose is again spare, descriptive, and hits like one of those steel-tipped arrows. We cheer for Teresa because we have no choice- she is a person we want to see win through all obstacles. Wonderful.

@D.Foxy- just so you know, Mrs. Treydog is a redhead. And a painter of rare talent.
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Rinceoir
 
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Post » Tue Jan 25, 2011 7:30 am

This thread has taken a turn for the weird. My mother was a redhead. My sister's red hair is showing a good deal of grey these days.

I am just posting to congratulate the author on another fascinating read. Already, Teresa has a tangible presence as I read her story. Thanks for sharing.
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Michelle Chau
 
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