It's not bad at all. It's your opinion though, I just do not get it or agree with it. I think this version is way better than any version I have heard. I think I just appreciate it because I play guitar and sing and I know it's not easy to either of them nevermind doing it together. Nothing bad against you at all I just cannot see how anyone wouldn't love this, but at the same time I understand it's your opinion and I respect that. Hey at least you like it instead of hate it like some people.
You didn't read my post properly.
At no point did I say that HER rendition of the song was bad. I said it was good. Which implies that, as I think the version in Skyrim is bad, her cover is better than the original. Don't get me wrong, it’s the best version of the song I have heard as well, and I appreciate it for that. I'd even go so far as to say it was truly great. The second part of the video, when she isn't singing "The Dragonborn Comes", is undoubtedly excellent.
I can see why so many people do love it. She's obviously having fun with what she is doing, she's taken the time to learn it by ear, her voice is amazing, she does herself absolute credit with the control of her voice in a song which is VERY slow, and I know from my own experience that that is harder to do than a fast song nine times out of ten. All you've got to do with a fast song is get the words right, the song takes care of itself. With a slow song, you've got to make sure it keeps moving forward and doesn't stop, if that makes sense, but without letting it topple away from you out of control.
There's some minor sibilance stuff going on, but that's pretty unnoticeable. In fact, the point I find fault with which renders it as merely good as opposed to "that" good has nothing to with her per se, but is purely technical and it's the same reason why I don't like the piece when it's presented in game. I'm referring to the way that dialog apparently works in Skyrim/Oblivion, where there is a transition between the different parts of the sound files so that the subtitles don't get left behind. It's only really evident in long speeches by NPCs, but it creates an unnaturally long pause in something that's obviously supposed to be one passage.
That has already been criticised about the Bethesda version of this song - where someone commented about the space between verses. It's most evident in the phrase "I tell you the dragonborn comes with a voice wielding power of the ancient nord art", which doesn't make any sense if you sing it as two separate phrases, as she does:
"I tell you, I tell you the dragonborn comes."
"With a voice wielding power of the ancient Nord art."
Does the lyric "With a voice wielding power of the ancient Nord art" stand alone and make sense by itself, with nothing following it and nothing before? If you just saw that one line written on a fragment of paper, would you know what it meant?
Like I said, it's purely technical. The song as it was presented in game was musically incorrect, as the lyrics effectively made no sense. It's less a criticism of her performance given what she had to learn from, and more a criticism of the way Bethesda presented the song. However, the point I criticized still affected her performance.
You can appreciate the difference of the phrasing between the Dragonborn Comes and the main skyrim theme at the end of the video, comparing how she's learned from the recorded dialog vs the recorded choir. The improvement in phrasing improves the overall effect of the song dramatically. If it was the second part by itself, then I would be with you guys saying it's excellent, fantastic, faultless and so on.
Oh and Summer - if you see this post as flaming, I would just like to point out that singing is a performing art that you can never master. The more you learn, the less you realise you know, and the more you have to work on. To that end it doesn't matter if your rendition of a song was absolutely perfect, as, although it's somewhat contradictory to say so, you can always improve. If she truly is a member of this community and a singer then she would appreciate any and all feedback she receives, constructive criticism and praise alike. And as this is saying I like the song, I like her as a person because of the dedication and passion she's put into learning and presenting the song, and I can point out a very specific way that she can improve the song for future performances, it very firmly falls under the umbrella of constructive criticism.