The Hate
The triumphant burst of orchestral music from the speakers snapped the soldiers in uniform into a salute; the civilians and politicians rose and stood solemnly with their hands pressed into the smalls of their backs. The auditorium which the people all stood in was a huge semi-circle, mimicking the theatres of ancient Rome, row after row of seats, enough to seat over 1’000, all facing a podium or, in this case, a vast projection on the wall behind it; even in a room the size of this, indeed it was the largest on the Oil Rig, the faces of all present were illuminated in sepia tones in the absence of the usual white-blue fluorescent lighting. The screen was occupied with a single clip, repeating over and over, of the flag of the Commonwealth, the flag of the United States, blowing softly in a non-existence breeze; the people sang:
“…O! say can you see by the dawn's early light,
What so proudly we hailed at the twilight's last gleaming,
That the havoc of war and the battle's confusion,
A home and a country should leave us no more?
And the rockets' red glare, atom bombs bursting in air,
Gave proof through the night that our flag was still there;
And the star-spangled banner in triumph shall wave
O'er the land of the free and the home of the brave!
The people, as one, all returned to their seats as the image of the flag slowly transitioned into a field of corn, once America’s most plentiful product, somewhere in the Midwest; as was customary for what would be static clips without, the omnipresent, faint, summer breeze was present in this shot too, causing the corn to sway slightly from side-to-side beneath the noon sun. The voice of the then President (as it was always the elected President), dike Richardson, began calmly over the tranquil scenes, backed by an un-named, equally calming peace of orchestral majesty.
“This is our land, our land of peace and plenty, a land of freedom,” the fields of corn transitioned to the Statue of Liberty. “These are our people, the workers, the businessmen, the defenders of liberty,” for these scenes the Statue of Liberty transitioned again into some regular Joe’s, both men and women, toiling cheerily in an armaments factory, followed by a view along the Pennsylvania Avenue in DC, as men & women in suits & summer dresses respectively went about their business beneath trees in full bloom along the grand and famous avenue; finally, it showed a soldier in the then (though by contemporary standards obsolete) symbol of American genius, T51-b Power Armour and, of course, before a billowing flag.
“These are our people, fighting, bleeding and dying, both at home and on the distant battlefields,” the music suddenly began to fade away, the oblivious audience, as usual, never noticing the exact moment; they were too encapsulated by the rapid change from leafy scenes of glory to that of mutilation, the soldier had been replaced by an Alaskan building blazing and there was now, technically, no longer a soundtrack, the raw audio footage from the strung-together clips, which always started before the other had finished, created an assault on the ears of explosions, bullets firing and screams. The voice too was harsher, almost accusatory, as though they, the audience, had had the power to avert the cavalcade of catastrophes on the screen but had been too lazy or poorly motivated and skilled to do so; whilst this was subliminal intent behind the voice, to impose, it was actually only to the minds of the people that it seemed so, in-fact to the soldiers was a rallying call that they could prevent these things. It continued.
“Caused by them, the insidious rauaging armies of East Asia,” footage from an old Chinese march filled the projection, row upon row of Chinese soldiers were marching towards the camera in perfect unison as though they were going to march right out of the light and into the room, faded, though still present, over the soldiers was the face of a single enemy which suddenly screamed a blood-curdling battle cry at the audience, quite a few of whom shriveled in fear from the monstrous face, the mouth alone of which was double the height of a soldier in power amour; the soldiers present themselves stiffened, containing vicious rage and anger at the herald of their current situation, them, the murdering savages of the East whom the US had tried to stop! “The blood of our ancestors turned the streets red with blood was we tried to stop them!” A nuclear explosion ended the scene on the past enemies of America.
“But even as we consolidate, a cancer is spreading through our once fertile fields, rauaging it as though they were the great enemy themselves!” Images of mutants, of all the Super, Ghoul and regular sub-human variety, where shown, all of them full of murdering, brutal mutilation and terror; some of the weeping of the people was audible in the quieter moments. The mutants were charging at the screen, yelling equally as vicious battle cries (indeed if the people had been in the position, they may have recognized the same screams as the Chinese soldier appearing quite often), firing at the screen, at them! There was almost a scene of mass panic in the room as the people cowered and even some of the soldiers lost it and discharged bursts of red, purple and green light at the looming figures on the screen, there was terror, noise but then silence, it was coming to save them, heralded by the triumphant sting.
There was total silence from both the people and for the first time since the Hate had begun, Star Spangled Banner, only a pure instrumental, was playing again; all of the people picked themselves from off of the floor or snapped to saluting attention, some of the people even crying silent tears of genuine relief at the sight of America, America would save them from the nightmare on the mainland, it would set everything right again, the fields of corn would be theirs to reap. The billowing flag once again took up all of the projection, interposed with that of the face of President dike Richardson; to the people, it had seemed as though they had never seen this graphic though uplifting piece before, when in fact they watched it every day, always at 17:00.
A young man at the front of the room liked to imagine that he stood the straightest of all those present, he swelled with admiration and pride; Richardson would save them all! Alan Sutler thought, even his internal voice sounded like it was quivering as though trying to hold back tears.
Sutler stood with his mother & father in the front rows of the gathering, the front rows typically held by the upper echelons of Enclave society; he could see all the Cabinet members from where he stood, everyone of any importance in the world was around him right now and behind him was the power of the people, a sea of blue jumpsuits and white faces illuminated brown, the people who would put this all right, how Sutler felt for the poor devils on the mainland at Navarro who only had a hundred of so people there to feel this glorious.
* * * * *
The Sutler family were residents of Deck 4, Sector 2, on the massive Oil Rig; the Sutler family had been intertwined with the Enclave for centuries, from the organisations conception on July 11th, 1920. Edgar J. Sutler, the Governor of the State of New Hampshire, was present at the clandestine Republican meeting at the Blackstone Hotel, where, upon other things such as Warren G. Harding being selected as their Presidential Candidate, the Enclave was founded as an organisation to maintain freedom in America and keep socialists, communists and other proponents of welfare states, out of government. By the Second World War however, the Republican and the Democrats united and the true Enclave, as a secret shadow government, was created; since then, through the ensiling of family loyalty, fierce patriotism, pressure to succeed and a little leg-up from the Sutler seniors, there had always been a member of the Sutler family been involved in the Enclave, from the Manhattan Project all the way to the construction of the very facility Alan James Sutler was happy and proud to call home.
Oscar and July Sutler had, upon leaving the Hate, accompanied Tom Murray, Secretary of Energy, down to his apartment for a drink; this left Alan on his own as he wandered aimlessly around the Decks, simply taking in the majesty of the whole structure. I wonder what it would be like to spend so much time outside? To spend time in the Sun without a suit of power armour. He pondered curiously as he walked past the janitor’s cupboard for the fifth time in so many minutes. [censored] Navarro, he cursed internally, his leg twitched, he would very much have liked to kick something across the deck with that statement but there was, of course, no litter and indeed nothing on the floor at all, just a continuous grating, the even colder grey floor beneath only broken up by the occasionally orange light. Sutler was a proud trooper in the United States Army, more specifically a Specialist, his specialty? Marksmanship. Sutler was infact the Squad Designated Marksmen for Sergeant Granite’s squad in the Enclave Control Company, using a German PPK12 Gauss Pistol he had punched a large whole in many a wastelander on his mainland ops. But now orders had came through from the brass that the agreeably senseless patrols and drills, the only sustenance for a trooper aboard the Oil Rig aside from combat sims, that in preparation for the completion and deployment of the Project, that it would be best if they started exposing citizens to life on the mainland and life in direct sunlight.
Of the other 1’000 US citizens in the Enclave, little over a tenth had even been outside, only those on mainland ops or servicing Vertibirds ever got to go outside onto the helipads and even then the wearing of respirators for exposed civilians was mandatory; Sutler sometimes shuddered at the thought that only one tenth the population had ever even felt the ground.
Sutler had been posted to Navarro before, but only for a week or two at a time, but under this new initiative he would spend the next few years there. Then again, he bleakly tried to console himself. The people at Navarro have adjusted and seem cheerful and happy, their tans attract a few good looks from the dames too. He smiled slyly, nothing better than chatting up the dames with stories of the mainland. Besides, we are the people, we’ll need to go home soon and begin rebuilding, by reconditioning people now we are preparing ourselves for the future, today! Sutler hadn’t realised but he had been thinking in propaganda again. He looked around again though at the walls, for twenty years all he had known were these walls. These beautiful black walls, the blue lights, hell even a [censored] ceiling, they’ll all soon be luxuries to enjoy at the end of a long day patrolling the wastes. Sutler had already grasped the notion that, indeed, life without the omnipresent ceiling and the cold glow of the lights would be difficult at first, but that it would be an acquired taste.
Sutler had had this internal discussion many times and yet never seemed to remember having it at all, unthink as it was called, is a form of psychological conditioning integrated into everyday life through propaganda, employed by the upper echelons of the government (who indeed experienced it too as citizens) to maintain order and prevent the citizens from realising the predictable, monotony of their lives and that they are essentially existing so that one day a future generation, post-Project, can retake the mainland. High-risk ages, such as the teenage years, were heavily targeted, internal insurrection would be disastrous and, in the global climate of 2242, could quite literally lead to the collapse and destruction of the US government; the United States of America will not be destroyed by teen angst, a few generations of unhappiness and monotony for the eventually rebirth of the nation was a small price to pay, this was the mentality of those beyond the propaganda.