----------
The Patrons
PART ONE
DuPont Circle, Washington DC (Capital Wasteland) circa 2279
" ?'It often happens that the real tragedies of life occur in such an inartistic manner that they hurt us by their crude violence, their absolute incoherence, their absurd want of meaning, their entire lack of style. They affect us just as vulgarity affects us. They give us an impression of sheer brute force, and we revolt against that. Sometimes, however, a tragedy that possesses artistic elements of beauty crosses our lives. If these elements of beauty are real, the whole thing simply appeals to our sense of dramatic effect. Suddenly we find that we are no longer the actors, but the spectators of the play. Or rather we are both. We watch ourselves, and the mere wonder of the spectacle enthralls us?' "
A distant explosion resonated across the rubble ridden metropolis as Gilford Thompson quickly glanced from the novel he was reading. Surveying the streets was a hassle. Blurs of concrete and contort steel passed through Gilford's eyes as he tried to see if the producer of the sound was close. More sounds of gunfire enveloped the area. He couldn't take it anymore. Gilford took the pistol he left on the counter and ran towards the window where his comrade awaited him, binoculars in hand.
"I don't like the sound out there Winthrop. Do you see anything?" Thompson proclaimed as he tried to ready his pistol between his clammy and shuddering hands.
David Winthrop laughed at his friend's worried remark. "The mere sound is frightening you again Gilford? Have we not heard the same crashes and bangs many a time? There are no ruffians around the premises. Just the same factions fighting it out near the Capitol. We are safe my friend."
Thompson shook his head in disgust as he placed the pistol on a nearby antiquated cabinet, taking a deep and forceful breath of air. David took a look at his friend as he put away his binoculars. Marks of stress and anguish teamed his otherwise youthful appearance. They weren't cut out for this kind of work. But the cause?the cause was more than worth the effort. Winthrop decided to ease the mood. It was the only thing to do in such a situation.
"What were you doing back there my good man? More important matters to attend to other than survival?" David asked, turning again to look outside of their makeshift lookout.
"Ah yes?reading a novel I found. It's quite interesting if I do say so myself."
"Interesting? What do you mean Gilford?"
"Don't you realize the significance of a book David? Does anyone recognize it anymore? This world we live in is one of pure savagery. I believe that one has to bring back some sort of civil activity in this meek existence, lest you become the beast like everyone else."
"I suppose you're right Gilford. Isn't that the creed of the Patrons, the reason we're out here having this conversation? To answer to a higher calling other than caps and scalps. To preserve artistry for generations to come."
"Exactly!!" Thompson exuberantly remarked as he rose from his seating. The time for waiting was over. It was time to fulfill the exact reason they were out in this area of utter desolation.
Gilford had a new spring in his step. He was prepared for action. "I think we've waited for long enough. Are we ready to move to our first spot of interest?"
Winthrop let out a yawn as he awkwardly stretched to his legs. "Precisely my friend. The Phillips Collection is about two or so blocks from here. We have to be careful though. God only knows who inhabits the gallery now. You are the only one with the weapon remember? Keep that pistol close. What paintings are we primarily looking for?"
"The Phillips Collection?I recall reading about it somewhere. An art museum founded by one Duncan Phillips in 1921. Besides that, I believe that Renoir's 'Luncheon of the Boating Party' is the key prize piece there. I only hope it's in good enough condition that minor revisions are necessary. Whatever we find that is intact is all the better to bring back to the station nearby. Future generations must know of their forefather's endeavors in artistic quality. The prospect of an entire subculture and medium of mankind is in our hand's David. If we cannot reserve these works then what type of 'art' will take its place, that of bashed skulls and decrepit corpses?"
"I don't think I want to find out Gilford. I just pray that some of these pieces of art are attainable after 200 years or so of an indefinable existence. Let's move out."
Winthrop and Thompson climbed through the hollowed structure and came into the streets that surrounded DuPont Circle. As they planned, the two quickly moved from each piece of protection they could find, taking a fraction of time to check if the coast was clear. The streets were oddly empty today with no belligerents in sight. It only added to the intensity as Gilford and David systematically made there way across the ravaged streets. After tense minutes of traveling they finally came across what appeared to be the remains of the Phillips Collection. The brick layered building was oddly intact besides a few bullet holes and dents of shrapnel. From an old bus stop the two assessed what was in front of them. Tactics and preparation were needed with the weak weaponry they possessed. It was best to avoid confrontation.
David took a peak of the small museum through his binoculars. "What do you think Gilford? Should we take a stab at it? The door is right there for us to walk through. Want to take the tour?"
Thompson seemed tentative in his response. "I'm just not sure. Going through the front door seems like suicide in a place such as this. You've heard the stories of the traps and raiders near DuPont. We have no choice though. I don't see anywhere else to get in. It's now or never. We embark then."
With that the two men made their way to the entrance of the gallery. Gilford checked both ways of the road with his pistol in hand. It just seemed too easy, too?something in the distance!! From the looks of it there were three men in primitively made clothing bearing firearms: raiders. Screaming and screeching was heard as he noticed the three coming their way.
"Get in the damn gallery David!!" Gilford yelled, gawkily aiming his pistol at the pack of rabid thugs. Winthrop was cursing to himself as he violently pulled the door. Thompson jerked his head around to see what was wrong.
"It's locked!!" David uttered as he yanked at the chain and bolt that held the door. The raiders were getting closer, facial features and weapons came into view. Blotched and scarred faces and rifles covered in a rustic palette. Gilford's mind was in a blistering panic. Raiders, lock, art, Patrons, lock, gun?that was it!!
"Stand back!!" Gilford yelled as he took his pistol and fired a round into the lock. Shards of lead flew around the vicinity, miraculously missing the two men. The door slowly creaked open and Gilford and David slammed through with three assailants in pursuit. There wasn't any time to appreciate let alone identify what was around them. A nearby bathroom seemed safe as the two ran into the nearby cubicles. Winthrop closed the door and Gilford placed a chair in front to jam it. A mix of emotions were swathing inside this very room.
"What did we get ourselves into Gilford? What are we going to do now eh? Was it your plan to only carry one weapon for extra space reserved for artwork? What the hell am I going to do? What now?!!"
Gilford was silent as he could only stare at the door. The raiders would be coming any minute now. Their lives would be coming to an end any minute now. Thompson readied his pistol as David stood behind him, ready for the inevitable?.