http://motherboard.tv/2010/8/6/the-documentary-about-hiroshima-and-nagasaki-the-u-s-didn-t-want-us-to-see--2
After its completion, the Japanese filmmakers were told to pack up all their materials and send them to America. While keeping some footage secreted away in the false ceiling of the cinematographer’s studio, they sent the rest of their footage, knowing that they were risking detention if they didn’t. They also knew that anything they sent to America might never be seen again.
It wouldn’t have been, if not for the determination of an American Army filmmaker named Daniel McGovern. Responsible for producing miltiary documentaries in Japan, he supported the work of the Japanese documentarians; once back in the U.S., he even attempted to pave the way for a national release of the film through Warner Brothers in 1946, holding previews for the press.
Officials quickly nixed those plans. While McGovern would keep pushing for a public release of the film, he hid a 16mm print on a midwestern Air Force base. The print was discovered, some two decades later, by scholar Erik Barnouw, who had been tipped off by the producer of the film, Iwasaki Akira. When Barnouw asked the Defense Department about the documentary, he was told in a letter that “reports of censorship remain unjustified.”
The original negative and production materials are missing to this day.
Wastelander since C=64!
Awaiting Alpha/Beta testing!